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Images of 'Handcolored' found, 2,388

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Costume d'un jeune homme francais, 14eme century - Costume of a young French man, blue tunic with large sleeves, black belt, stockings in red and white, and bizarre long cracows (pointed shoes a la poulaine), 14th century - From a miniature in a French manuscript titled Roman de la Rose, Imperiale Paris Library - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Costume d'un jeune homme francais, 14eme century - Costume of a young French man, blue tunic with large sleeves, black belt, stockings in red and white, and bizarre long cracows (pointed shoes a la poulaine), 14th century - From a miniature in a French manuscript titled Roman de la Rose, Imperiale Paris Library - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

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Nandou of America. Copper engraving by Frederick Polydor Nodder (1751-1801), illustration by George Shaw, based on a specimen from the Leverian Museum, for the naturalist collection, published in 1790 by George Shaw. Greater Rhea or American ostrich. Rhea americana (Struthio rhea). Large flightless bird from South America. Illustration signed S (George Shaw), drawn from a specimen in the Leverian Museum. Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver from George Shaw's “” Naturalist's Miscellany”” (1790).

Nandou of America. Copper engraving by Frederick Polydor Nodder (1751-1801), illustration by George Shaw, based on a specimen from the Leverian Museum, for the naturalist collection, published in 1790 by George Shaw. Greater Rhea or American ostrich. Rhea americana (Struthio rhea). Large flightless bird from South America. Illustration signed S (George Shaw), drawn from a specimen in the Leverian Museum. Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver from George Shaw's “” Naturalist's Miscellany”” (1790).

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Costume of a woman of the nobility of Venice (Italy), accompanied by her child, 13th century - Noblewoman of Venice, 13th century - She wears a red hat decorated with gold and gemstones, a violet cape tied at the head, white tunic with gold clasps at the shoulder, red robe with gold embroidery - The child wears a violet and red tunic and gold booties - Taken from a mosaic in the door of Saint Mark's Basilica, Venice - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

Costume of a woman of the nobility of Venice (Italy), accompanied by her child, 13th century - Noblewoman of Venice, 13th century - She wears a red hat decorated with gold and gemstones, a violet cape tied at the head, white tunic with gold clasps at the shoulder, red robe with gold embroidery - The child wears a violet and red tunic and gold booties - Taken from a mosaic in the door of Saint Mark's Basilica, Venice - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

Mercuri, Paolo (1804-84)

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Wood strawberry, musk strawberry and Virginia strawberry. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Woodland strawberry, Fragaria vesca, Fragaria elatior, Virginia strawberry, Fragaria virginiana. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

Wood strawberry, musk strawberry and Virginia strawberry. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Woodland strawberry, Fragaria vesca, Fragaria elatior, Virginia strawberry, Fragaria virginiana. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

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Wood fruit poop, canarium nuts and badamier fruit. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Wild almonds, Sterculia foetida, Canarium nut and Terminalia catappa nut. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

Wood fruit poop, canarium nuts and badamier fruit. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Wild almonds, Sterculia foetida, Canarium nut and Terminalia catappa nut. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

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Common and scabious lysimac succise or devil's bite. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Garden loosestrife, Lysimachia vulgaris, and Devils bit, Scabiosa succisa, Succisa pratensis. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

Common and scabious lysimac succise or devil's bite. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Garden loosestrife, Lysimachia vulgaris, and Devils bit, Scabiosa succisa, Succisa pratensis. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

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Alpine trefle, red trefle and trefle des pres. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Clover, Alpine Trifolium, and red clovers Trifolium rubeus, Trifolium pratense. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

Alpine trefle, red trefle and trefle des pres. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Clover, Alpine Trifolium, and red clovers Trifolium rubeus, Trifolium pratense. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

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Linaigrette has sheaths and broadleaf linaigrette. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Eriophorum vaginatum, hare 's-tail cottongrass and Eriophorum latifolium, broad-leaved cottongrass. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

Linaigrette has sheaths and broadleaf linaigrette. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Eriophorum vaginatum, hare 's-tail cottongrass and Eriophorum latifolium, broad-leaved cottongrass. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

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Mackerel fishing methods: fortified canals for trapping fish and fishing boats encircling the fish bank - Atlantic thazard - Pilot fish - Mackerel fishing methods: walled channels and grate to catch spawning mackerel with the tide 47a, and fishermen in boats unfurling nets to encircle a school of mackered 47b. Painted mackerel, Scomberomorus regalis 48, and pilot fish. Handcolored copperplate engraving after Jacob Nilson from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.

Mackerel fishing methods: fortified canals for trapping fish and fishing boats encircling the fish bank - Atlantic thazard - Pilot fish - Mackerel fishing methods: walled channels and grate to catch spawning mackerel with the tide 47a, and fishermen in boats unfurling nets to encircle a school of mackered 47b. Painted mackerel, Scomberomorus regalis 48, and pilot fish. Handcolored copperplate engraving after Jacob Nilson from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.

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Varieties of grass grass: aquatic hay (water hay) and millet etale. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Brookgrass, Aira aquatica, and spreading millet grass, Milium effusum. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

Varieties of grass grass: aquatic hay (water hay) and millet etale. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Brookgrass, Aira aquatica, and spreading millet grass, Milium effusum. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

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white or creeping trefle, officinal melilot and hybrid trefle. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. White clover, Trifolium repens, melilot, Trifolium melilotus officinalis, and alsike clover, Trifolium hybridum. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

white or creeping trefle, officinal melilot and hybrid trefle. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. White clover, Trifolium repens, melilot, Trifolium melilotus officinalis, and alsike clover, Trifolium hybridum. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

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Canine Emerald Boa, tree species. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Canine boa, dog headed snake or emerald tree snake. Corallus canina (Boa canina). “The figure of this snake in Seba's Museum is so well executed, both to posture and accuracy, that is thought better to copy it than attempt a new one.” Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).

Canine Emerald Boa, tree species. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Canine boa, dog headed snake or emerald tree snake. Corallus canina (Boa canina). “The figure of this snake in Seba's Museum is so well executed, both to posture and accuracy, that is thought better to copy it than attempt a new one.” Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).

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Oregano. Hand-coloured copper engraving from a drawing by James Sowerby (1757-1822), in Botanique Medicinale, 1832, by William Woodville and Sir William Jackson. Oregano, Origanum vulgare. Handcolored copperplate engraving from a botanical illustration by James Sowerby from William Woodville and Sir William Jackson Hooker's “” Medical Botany”” 1832. The tireless Sowerby (1757-1822) drew over 2,500 plants for Smith's mammoth “” English Botany”” (1790-1814) and 440 mushrooms for “” Coloured Figures of English Fungi “” (1797) among many other works.

Oregano. Hand-coloured copper engraving from a drawing by James Sowerby (1757-1822), in Botanique Medicinale, 1832, by William Woodville and Sir William Jackson. Oregano, Origanum vulgare. Handcolored copperplate engraving from a botanical illustration by James Sowerby from William Woodville and Sir William Jackson Hooker's “” Medical Botany”” 1832. The tireless Sowerby (1757-1822) drew over 2,500 plants for Smith's mammoth “” English Botany”” (1790-1814) and 440 mushrooms for “” Coloured Figures of English Fungi “” (1797) among many other works.

Sowerby, James (1757-1822)

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Fruits of mango, mango, oboto or djimbo, sapotillier or corossol and attract it or apple cinnamon. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Mango, Garcinia mangostana, mammee, Mammea africana, Sapodilla, Achras sapota, Sugar apple, Annona squamosa. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

Fruits of mango, mango, oboto or djimbo, sapotillier or corossol and attract it or apple cinnamon. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Mango, Garcinia mangostana, mammee, Mammea africana, Sapodilla, Achras sapota, Sugar apple, Annona squamosa. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

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Compendial borage. Hand-coloured copper engraving from a drawing by James Sowerby (1757-1822), in Botanique Medicinale, 1832, by William Woodville and Sir William Jackson. Blue flowered borage, Borago officinalis. Handcolored copperplate engraving from a botanical illustration by James Sowerby from William Woodville and Sir William Jackson Hooker's “” Medical Botany”” 1832. The tireless Sowerby (1757-1822) drew over 2,500 plants for Smith's mammoth “” English Botany”” (1790-1814) and 440 mushrooms for “” Coloured Figures of English Fungi “” (1797) among many other works.

Compendial borage. Hand-coloured copper engraving from a drawing by James Sowerby (1757-1822), in Botanique Medicinale, 1832, by William Woodville and Sir William Jackson. Blue flowered borage, Borago officinalis. Handcolored copperplate engraving from a botanical illustration by James Sowerby from William Woodville and Sir William Jackson Hooker's “” Medical Botany”” 1832. The tireless Sowerby (1757-1822) drew over 2,500 plants for Smith's mammoth “” English Botany”” (1790-1814) and 440 mushrooms for “” Coloured Figures of English Fungi “” (1797) among many other works.

Sowerby, James (1757-1822)

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Apic lavender. Hand-coloured copper engraving from a drawing by James Sowerby (1757-1822), in Botanique Medicinale, 1832, by William Woodville and Sir William Jackson. Blue flowered lavender, Lavandula spica. Handcolored copperplate engraving from a botanical illustration by James Sowerby from William Woodville and Sir William Jackson Hooker's “” Medical Botany”” 1832. The tireless Sowerby (1757-1822) drew over 2,500 plants for Smith's mammoth “” English Botany”” (1790-1814) and 440 mushrooms for “” Coloured Figures of English Fungi “” (1797) among many other works.

Apic lavender. Hand-coloured copper engraving from a drawing by James Sowerby (1757-1822), in Botanique Medicinale, 1832, by William Woodville and Sir William Jackson. Blue flowered lavender, Lavandula spica. Handcolored copperplate engraving from a botanical illustration by James Sowerby from William Woodville and Sir William Jackson Hooker's “” Medical Botany”” 1832. The tireless Sowerby (1757-1822) drew over 2,500 plants for Smith's mammoth “” English Botany”” (1790-1814) and 440 mushrooms for “” Coloured Figures of English Fungi “” (1797) among many other works.

Sowerby, James (1757-1822)

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Moorish or croton of dyers and variety of dracocephal or dragon head. Coloured copper engraving, based on an illustration by Gotttlieb Thomas Wilhelm (1758-1811), from the encyclopedie of natural history, Vienna (Austria), 1816. Croton tinctorium, Senecio elegans, and Dracocephalum Melissa. Dyers' crook carrier, purple ragwort and balm. Handcolored copperplate engraving of a botanical illustration by J. Schaly from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1817. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

Moorish or croton of dyers and variety of dracocephal or dragon head. Coloured copper engraving, based on an illustration by Gotttlieb Thomas Wilhelm (1758-1811), from the encyclopedie of natural history, Vienna (Austria), 1816. Croton tinctorium, Senecio elegans, and Dracocephalum Melissa. Dyers' crook carrier, purple ragwort and balm. Handcolored copperplate engraving of a botanical illustration by J. Schaly from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1817. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

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Beef heart, fruit of the annona reticulata and a liana apple (or golden apple or maritambour), fruit of the passion flower with bay leaves. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Custard apple, Annona reticulata, and water lemon. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

Beef heart, fruit of the annona reticulata and a liana apple (or golden apple or maritambour), fruit of the passion flower with bay leaves. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Custard apple, Annona reticulata, and water lemon. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

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Compendial hyssop. Hand-coloured copper engraving from a drawing by James Sowerby (1757-1822), in Botanique Medicinale, 1832, by William Woodville and Sir William Jackson. Purple flowered hyssop, Hyssopus officinalis. Handcolored copperplate engraving from a botanical illustration by James Sowerby from William Woodville and Sir William Jackson Hooker's “” Medical Botany”” 1832. The tireless Sowerby (1757-1822) drew over 2,500 plants for Smith's mammoth “” English Botany”” (1790-1814) and 440 mushrooms for “” Coloured Figures of English Fungi “” (1797) among many other works.

Compendial hyssop. Hand-coloured copper engraving from a drawing by James Sowerby (1757-1822), in Botanique Medicinale, 1832, by William Woodville and Sir William Jackson. Purple flowered hyssop, Hyssopus officinalis. Handcolored copperplate engraving from a botanical illustration by James Sowerby from William Woodville and Sir William Jackson Hooker's “” Medical Botany”” 1832. The tireless Sowerby (1757-1822) drew over 2,500 plants for Smith's mammoth “” English Botany”” (1790-1814) and 440 mushrooms for “” Coloured Figures of English Fungi “” (1797) among many other works.

Sowerby, James (1757-1822)

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Large daisy flower known as a beef eye, with details of pistil and stamens and description of the leaves. Illustration by Wiliam Jackson Hooker (1785-1865), British botanist and writer, professor at the University of Glasgow (Scotland) and editor of Curtis's Botanical Magazine. Pyrethrum uligonosum. Large flowered marsh ox eye. Illustration by WJ Hooker, engraved by Swan. Handcolored copperplate engraving from William Curtis's “” The Botanical Magazine”” 1827. William Jackson Hooker (1785-1865) was an English botanist, writer and artist. He was Regius Professor of Botany at Glasgow University, and editor of Curtis' “” Botanical Magazine”” from 1827 to 1865.

Large daisy flower known as a beef eye, with details of pistil and stamens and description of the leaves. Illustration by Wiliam Jackson Hooker (1785-1865), British botanist and writer, professor at the University of Glasgow (Scotland) and editor of Curtis's Botanical Magazine. Pyrethrum uligonosum. Large flowered marsh ox eye. Illustration by WJ Hooker, engraved by Swan. Handcolored copperplate engraving from William Curtis's “” The Botanical Magazine”” 1827. William Jackson Hooker (1785-1865) was an English botanist, writer and artist. He was Regius Professor of Botany at Glasgow University, and editor of Curtis' “” Botanical Magazine”” from 1827 to 1865.

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Military costume: un infantryman italian (infantry), 15th century - Costume of an Italian infantryman, 15th century - He wears a small brown cap embroidered in gold, long hair loose, tight doublet open at the shoulder and elbow revealing his shirt, two-tone stockings in red and orange, green belt with sword and dagger - He holds a pike - From a painting by Pinturicchio in the Basilica of the Holy Cross in Jerusalem, Rome - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Military costume: un infantryman italian (infantry), 15th century - Costume of an Italian infantryman, 15th century - He wears a small brown cap embroidered in gold, long hair loose, tight doublet open at the shoulder and elbow revealing his shirt, two-tone stockings in red and orange, green belt with sword and dagger - He holds a pike - From a painting by Pinturicchio in the Basilica of the Holy Cross in Jerusalem, Rome - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

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Costume de femme de la noblesse francaise, 15eme century - French noblewoman, 15th century - She wears the sugarloaf or hennin with long veil and a band of velvet in front - The bodice is black velvet over gold fabric, and the dress in blue velvet decorated with gold and lined with crimson velvet - Her maid wears a black bonnet, yellow robe and green petticoat - From an illustration by Barthelemy d'Eyck showing the review of arms from Rene of Anjou's “” Tournament Book,”” 1488 - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Costume de femme de la noblesse francaise, 15eme century - French noblewoman, 15th century - She wears the sugarloaf or hennin with long veil and a band of velvet in front - The bodice is black velvet over gold fabric, and the dress in blue velvet decorated with gold and lined with crimson velvet - Her maid wears a black bonnet, yellow robe and green petticoat - From an illustration by Barthelemy d'Eyck showing the review of arms from Rene of Anjou's “” Tournament Book,”” 1488 - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

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Varieties of Graminees: giant fetuque, prep pasture and aquatic pasture. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Tall brome grass, Bromus giganteus, smooth meadowgrass, Poa pratensis, and meadowgrass, Poa aquatica. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

Varieties of Graminees: giant fetuque, prep pasture and aquatic pasture. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Tall brome grass, Bromus giganteus, smooth meadowgrass, Poa pratensis, and meadowgrass, Poa aquatica. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

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Sweet fennel (or Provence fennel). Hand-coloured copper engraving from a drawing by James Sowerby (1757-1822), in Botanique Medicinale, 1832, by William Woodville and Sir William Jackson. Fennel, Anethum foeniculum, spice. Handcolored copperplate engraving from a botanical illustration by James Sowerby from William Woodville and Sir William Jackson Hooker's “” Medical Botany”” 1832. The tireless Sowerby (1757-1822) drew over 2,500 plants for Smith's mammoth “” English Botany”” (1790-1814) and 440 mushrooms for “” Coloured Figures of English Fungi “” (1797) among many other works.

Sweet fennel (or Provence fennel). Hand-coloured copper engraving from a drawing by James Sowerby (1757-1822), in Botanique Medicinale, 1832, by William Woodville and Sir William Jackson. Fennel, Anethum foeniculum, spice. Handcolored copperplate engraving from a botanical illustration by James Sowerby from William Woodville and Sir William Jackson Hooker's “” Medical Botany”” 1832. The tireless Sowerby (1757-1822) drew over 2,500 plants for Smith's mammoth “” English Botany”” (1790-1814) and 440 mushrooms for “” Coloured Figures of English Fungi “” (1797) among many other works.

Sowerby, James (1757-1822)

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Alienor (Eleonore) de Portugal (1434-1467) - Eleanor of Portugal, (1434-1467), consort of Frederick III, Holy Roman Emperor - She wears a mesh headdress held by a band of gold, a blouse of light veil ornamented with gold, a red dress with green velvet border, and a cape of gold brocade - Her lady in waiting wears a shoulders a red dress with open Revealing a White blouse - From a fresco by Pinturicchio and Raphael in Siena - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Alienor (Eleonore) de Portugal (1434-1467) - Eleanor of Portugal, (1434-1467), consort of Frederick III, Holy Roman Emperor - She wears a mesh headdress held by a band of gold, a blouse of light veil ornamented with gold, a red dress with green velvet border, and a cape of gold brocade - Her lady in waiting wears a shoulders a red dress with open Revealing a White blouse - From a fresco by Pinturicchio and Raphael in Siena - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

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Varieties of grass grass: woolly hells, wild siberian rye and perennial chaff. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Yorkshire fog grass, Holcus lanatus (9), Siberian wild rye, Elymus sibiricus (10), ryegrass, Lolium perenne (11). Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

Varieties of grass grass: woolly hells, wild siberian rye and perennial chaff. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Yorkshire fog grass, Holcus lanatus (9), Siberian wild rye, Elymus sibiricus (10), ryegrass, Lolium perenne (11). Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

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Pennatula phosphorescent or sea feather. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Phosphoric pennatula or sea pen. Pennatula phosphorea. Pink sea pen, a colonial marine cnidarian, named for their resemblance to feather quill pens. This curious animal emits a very strong phosphoric light, and it is even so luminous that is no uncommon circumstance for the fishermen to see the fish which happen to be swimming near it, merely by the light of the pennatula.” Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).

Pennatula phosphorescent or sea feather. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Phosphoric pennatula or sea pen. Pennatula phosphorea. Pink sea pen, a colonial marine cnidarian, named for their resemblance to feather quill pens. This curious animal emits a very strong phosphoric light, and it is even so luminous that is no uncommon circumstance for the fishermen to see the fish which happen to be swimming near it, merely by the light of the pennatula.” Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).

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Sea anemone, branch of the cnidaires. Description of the animal's inner tentacles. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Sea anemone or anemone actinia. Actinia anemone. Sea anemone open slightly to reveal “” a few of the interior branchy tentacula or central parts”” (2), and protruding “” almost the whole of its interior parts or viscera in the form of an inflated membrane of a pale yellow colour, and striped very elegantly with rays of red and pale green.” Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).

Sea anemone, branch of the cnidaires. Description of the animal's inner tentacles. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Sea anemone or anemone actinia. Actinia anemone. Sea anemone open slightly to reveal “” a few of the interior branchy tentacula or central parts”” (2), and protruding “” almost the whole of its interior parts or viscera in the form of an inflated membrane of a pale yellow colour, and striped very elegantly with rays of red and pale green.” Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).

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Frederic III de Montefeltro (1422-1482), Duke of Urbino, condottiere of the Renaissance - Federico da Montefeltro, (1422-1482), condottieri of the Italian Renaissance, and Duke of Urbino from 1444, with his son Guidobaldo - He wears a brocade cape over a suit of steel armour and gold chainmail, with his helmet at feet - His son wears a simar of brocade and ermine, and holds a gold sceptre - From a painting by Pedro Berruguete (mistakenly ascribed to Andrea Mantegna by Bonnard) - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Frederic III de Montefeltro (1422-1482), Duke of Urbino, condottiere of the Renaissance - Federico da Montefeltro, (1422-1482), condottieri of the Italian Renaissance, and Duke of Urbino from 1444, with his son Guidobaldo - He wears a brocade cape over a suit of steel armour and gold chainmail, with his helmet at feet - His son wears a simar of brocade and ermine, and holds a gold sceptre - From a painting by Pedro Berruguete (mistakenly ascribed to Andrea Mantegna by Bonnard) - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

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Hydra (an animal of the branch line of the cnidaria, it is a complex plant-like plant-like plant-like plant-like plant). Copper engraving by Frederick Polydor Nodder (1751-1801) and George Shaw, for the naturalist collection, published in 1790 by George Shaw. Green polyp or Hydra. The polype has no anus or vent, and therefore again evacuates the remains of the animal on which it has preyed, by its mouth. It is capable of swallowing a worm of twice or thrice its size.” Hydra viridis. Handcolored copperplate engraving, illustration signed SN (George Shaw and Frederick Polydor Nodder (1751-1801), artist and engraver) from George Shaw's “” Naturalist's Miscellany”” (1790).

Hydra (an animal of the branch line of the cnidaria, it is a complex plant-like plant-like plant-like plant-like plant). Copper engraving by Frederick Polydor Nodder (1751-1801) and George Shaw, for the naturalist collection, published in 1790 by George Shaw. Green polyp or Hydra. The polype has no anus or vent, and therefore again evacuates the remains of the animal on which it has preyed, by its mouth. It is capable of swallowing a worm of twice or thrice its size.” Hydra viridis. Handcolored copperplate engraving, illustration signed SN (George Shaw and Frederick Polydor Nodder (1751-1801), artist and engraver) from George Shaw's “” Naturalist's Miscellany”” (1790).

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Normandy women of the 12th century. Women of the nobility wearing a coat and veil (125 and 126), and a third with a head uncovered (127). Copper engraving hand-coloured, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Norman women from the 12th century. A Norman noblewoman wearing mantle and veil (125). Another Norman noblewoman wearing mantle and veil (126). A Norman woman with her head uncovered (127). Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

Normandy women of the 12th century. Women of the nobility wearing a coat and veil (125 and 126), and a third with a head uncovered (127). Copper engraving hand-coloured, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Norman women from the 12th century. A Norman noblewoman wearing mantle and veil (125). Another Norman noblewoman wearing mantle and veil (126). A Norman woman with her head uncovered (127). Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

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Three Norman men of the 12th century, one wearing a talar (dress in fashion at the end of the 12th century), another vetu of the talar above her, and the third wearing a conical cap. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman men of the 12th century; one in a surtout and carrying a talar (a robe in fashion at the end of the 12th century), one wearing a talar over his especially, and one in a conical bonnet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

Three Norman men of the 12th century, one wearing a talar (dress in fashion at the end of the 12th century), another vetu of the talar above her, and the third wearing a conical cap. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman men of the 12th century; one in a surtout and carrying a talar (a robe in fashion at the end of the 12th century), one wearing a talar over his especially, and one in a conical bonnet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

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Three warriors with spades, naked body, covered with star paint and animals (flowers for women). They carry spears with rounded ends, like the Britons, in the right hand and javelins or shields in the left hand. (Images from Speed costume collection). In “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.Three Picts are shown with their naked bodies covered in paintings of stars, animals (on the male) and flowers (on the females). They carry lances with ball ends, like the Britons, in their right hands, and javelins or shields in their left. The images were taken from [Speed's] Collection of the Dresses, etc. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

Three warriors with spades, naked body, covered with star paint and animals (flowers for women). They carry spears with rounded ends, like the Britons, in the right hand and javelins or shields in the left hand. (Images from Speed costume collection). In “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.Three Picts are shown with their naked bodies covered in paintings of stars, animals (on the male) and flowers (on the females). They carry lances with ball ends, like the Britons, in their right hands, and javelins or shields in their left. The images were taken from [Speed's] Collection of the Dresses, etc. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

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Costume of a member of the company della Calza, young Venetian noble, wearing the distinctive costume of a theatrical society, responsible for organizing parties and games in Venice (Italy) (show, carnival, boat race or naval battles in the canals), 15th century - Member of a Compagnie della Calza, young Venetian noblemen who organized spectacles and masquerades in Venice, 15th century - He wears a black toque, scarlet cape with embroidered hood, white satin embroidered doublet over a shirt - From a painting by Vittore Carpaccio in the Academy of Fine Arts, Venice - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Costume of a member of the company della Calza, young Venetian noble, wearing the distinctive costume of a theatrical society, responsible for organizing parties and games in Venice (Italy) (show, carnival, boat race or naval battles in the canals), 15th century - Member of a Compagnie della Calza, young Venetian noblemen who organized spectacles and masquerades in Venice, 15th century - He wears a black toque, scarlet cape with embroidered hood, white satin embroidered doublet over a shirt - From a painting by Vittore Carpaccio in the Academy of Fine Arts, Venice - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

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Cartoon of demon adorned with a predominantly Norman with long sleeves, attached to the sleeves and tail, to its sides, a Norman woman seated and veiled, wearing a baby, and another Norman woman with long braid hair, clothed with one above all. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Cartoon of demon wearing a Norman long sleeved surtout tied at the sleeves and tails, seated Norman woman in veil holding a baby, and Norman woman with long plaited hair in a surtout. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

Cartoon of demon adorned with a predominantly Norman with long sleeves, attached to the sleeves and tail, to its sides, a Norman woman seated and veiled, wearing a baby, and another Norman woman with long braid hair, clothed with one above all. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Cartoon of demon wearing a Norman long sleeved surtout tied at the sleeves and tails, seated Norman woman in veil holding a baby, and Norman woman with long plaited hair in a surtout. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

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Fulgore carries lantern, lantern fly or peanut bug. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Lantern fly, peanut bug, peanut-headed lanternfly, alligator bug, machaca, great lanthorn-fly or firefly. Fulgora laternaria (Fulgora lanternaria). Madam Merian says, “” the light of one of these insects is so vivid that a person may see to read a newspaper by it... However, she seems to have introduced an imaginary figure, representing the Cicada tibican with the head of a Fulgora. The light emitted by the firefly proceeds entirely from the hollow part, or lantern of the head.” Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).

Fulgore carries lantern, lantern fly or peanut bug. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Lantern fly, peanut bug, peanut-headed lanternfly, alligator bug, machaca, great lanthorn-fly or firefly. Fulgora laternaria (Fulgora lanternaria). Madam Merian says, “” the light of one of these insects is so vivid that a person may see to read a newspaper by it... However, she seems to have introduced an imaginary figure, representing the Cicada tibican with the head of a Fulgora. The light emitted by the firefly proceeds entirely from the hollow part, or lantern of the head.” Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).

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Splendid hibiscus, Hibiscus splendens. Illustration drawn by James MacNab, engraved by Swan. Handcolored copperplate engraving from William Curtis's “” The Botanical Magazine,”” Samuel Curtis, 1830. Hooker (1785-1865) was an English botanist, writer and artist. He was Regius Professor of Botany at Glasgow University, and editor of Curtis' “” Botanical Magazine”” from 1827 to 1865. In 1841 he was appointed director of the Royal Botanic Gardens at Kew, and was succeeded by his son Joseph Dalton. Hooker documented the fern and orchid crazes that shook England in the mid-19th century in books such as “” Species Filicum”” (1846) and “” A Century of Orchidaceous Plants”” (1849). A gifted botanical artist himself, he wrote and illustrated “” Flora Exotica”” (1823) and several volumes of the “” Botanical Magazine”” after 1827.

Splendid hibiscus, Hibiscus splendens. Illustration drawn by James MacNab, engraved by Swan. Handcolored copperplate engraving from William Curtis's “” The Botanical Magazine,”” Samuel Curtis, 1830. Hooker (1785-1865) was an English botanist, writer and artist. He was Regius Professor of Botany at Glasgow University, and editor of Curtis' “” Botanical Magazine”” from 1827 to 1865. In 1841 he was appointed director of the Royal Botanic Gardens at Kew, and was succeeded by his son Joseph Dalton. Hooker documented the fern and orchid crazes that shook England in the mid-19th century in books such as “” Species Filicum”” (1846) and “” A Century of Orchidaceous Plants”” (1849). A gifted botanical artist himself, he wrote and illustrated “” Flora Exotica”” (1823) and several volumes of the “” Botanical Magazine”” after 1827.

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Scene at a festival in Nuremburg

Scene at a festival in Nuremburg

Lechevallier-Chevignard, Edmond (1825-1902)

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Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the execution work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste. In “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.Norman effigy from Danbury Church.This monument is found in the church at Danbury, in the county of Essex. It is probably older than plate 62, but is of wood not stone. It is astonishing, seeing the little care taken in its conservation, that it is in such good condition. [Strutt] remarks that the perfection of the work is an enigma to him when compared to others of the same epoque, or in contemporary pictures or designs, which lack both accuracy and taste. Handcolored copperpl

Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the execution work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste. In “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.Norman effigy from Danbury Church.This monument is found in the church at Danbury, in the county of Essex. It is probably older than plate 62, but is of wood not stone. It is astonishing, seeing the little care taken in its conservation, that it is in such good condition. [Strutt] remarks that the perfection of the work is an enigma to him when compared to others of the same epoque, or in contemporary pictures or designs, which lack both accuracy and taste. Handcolored copperpl

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Edible sea urchin, Echinus esculentus, from George Shaw and Frederick Nodder's 'The Naturalist's Miscellany', 1795 (hand-coloured copperplate engraving)

Edible sea urchin, Echinus esculentus, from George Shaw and Frederick Nodder's 'The Naturalist's Miscellany', 1795 (hand-coloured copperplate engraving)

Nodder, Richard Polydore (fl.1794-1810)

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Four-toed manis, Long-tailed Pangolin or Black-bellied Pangolin, from 'The Naturalist's Miscellany', 1790 (hand-coloured engraving)

Four-toed manis, Long-tailed Pangolin or Black-bellied Pangolin, from 'The Naturalist's Miscellany', 1790 (hand-coloured engraving)

Shaw, George (1751-1813)

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Portaits of the kings Louis IV of France (920 or 921-954) (Figure 81) and Lothaire (Lothar) I (795-855), emperor of the Romans, King of Baviere, Italy and Middle Francia (Figure 82). Both have a tunic and a coat of different lengths. Their crowns differ, that of Louis IV is closed like a diademe and his sceptre is topped by a pine cone, Lothaire wears a simple circle of gold decorated with flowers, and his sceptre is topped by a flower. For the French, as for the Anglo Saxons, the mantle was reserved for persons of high rank. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. King Louis IV and King Lothar I. Louis IV (81) wears a long tunic and a mantle that is not fastened anywhere with a clasp, just simply thrown over the breast; his crown is closed like a diadem, and his sceptre ends in a pine cone. Lothar I (82) is clothed like Louis IV, only his mantle is shorter and

Portaits of the kings Louis IV of France (920 or 921-954) (Figure 81) and Lothaire (Lothar) I (795-855), emperor of the Romans, King of Baviere, Italy and Middle Francia (Figure 82). Both have a tunic and a coat of different lengths. Their crowns differ, that of Louis IV is closed like a diademe and his sceptre is topped by a pine cone, Lothaire wears a simple circle of gold decorated with flowers, and his sceptre is topped by a flower. For the French, as for the Anglo Saxons, the mantle was reserved for persons of high rank. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. King Louis IV and King Lothar I. Louis IV (81) wears a long tunic and a mantle that is not fastened anywhere with a clasp, just simply thrown over the breast; his crown is closed like a diadem, and his sceptre ends in a pine cone. Lothar I (82) is clothed like Louis IV, only his mantle is shorter and

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British warships in the foreground attacking the French garrisons at Fort Saint Louis, and Fort Bourbon in Martinique with mountains in the background

British warships in the foreground attacking the French garrisons at Fort Saint Louis, and Fort Bourbon in Martinique with mountains in the background

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Uniform of the 3rd Hussars, Infantry and Light Infantry - The King's German Legion, from 'Costume of the British Empire, according to the Last Regulations', published 1815 (hand-coloured aquatint)

Uniform of the 3rd Hussars, Infantry and Light Infantry - The King's German Legion, from 'Costume of the British Empire, according to the Last Regulations', published 1815 (hand-coloured aquatint)

Smith, Charles Hamilton (1776-1859) (after)

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Botanical plate: Double white Chinese peony with rose colored flowers, Paeonia albiflora var. rosea) Handcoloured copperplate engraving by Swan of an illustration by William Jackson Hooker from “” Curtis's Botanical Magazine”” Samuel Curtis, London, 1829.

Botanical plate: Double white Chinese peony with rose colored flowers, Paeonia albiflora var. rosea) Handcoloured copperplate engraving by Swan of an illustration by William Jackson Hooker from “” Curtis's Botanical Magazine”” Samuel Curtis, London, 1829.

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Orchidee Catasetum, native to Brazil - Water forte by S. Watts from an illustration by Miss M.A. Huntley, from the Botanical Register, 1834, by Sydenham Edwards (1768-1819) - Nodding catasetum orchid, Catasetum cernuum (Drooping flywort orchid, Myanthus cernuus), Native to Brazil - Handcoloured engraving by S. Watts after an illustration by Miss M.A. Huntley, from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1834

Orchidee Catasetum, native to Brazil - Water forte by S. Watts from an illustration by Miss M.A. Huntley, from the Botanical Register, 1834, by Sydenham Edwards (1768-1819) - Nodding catasetum orchid, Catasetum cernuum (Drooping flywort orchid, Myanthus cernuus), Native to Brazil - Handcoloured engraving by S. Watts after an illustration by Miss M.A. Huntley, from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1834

Edwards, Sydenham Teast (c.1768-1819)

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Large bright yellow savannah flower, native to Jamaican and Santo Domingo. Larger savanna flower with vivid yellow flower, a native of the savannas of Jamaica and St. Domingo. Echites suberecta.Handcolored copperplate engraving from a botanical illustration by Sydenham Edwards from William Curtis's “” Botanical Magazine”” 1790-1800.

Large bright yellow savannah flower, native to Jamaican and Santo Domingo. Larger savanna flower with vivid yellow flower, a native of the savannas of Jamaica and St. Domingo. Echites suberecta.Handcolored copperplate engraving from a botanical illustration by Sydenham Edwards from William Curtis's “” Botanical Magazine”” 1790-1800.

Edwards, Sydenham Teast (c.1768-1819)

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First page of the famous Vienna Codex of the Golden Bull, 1365 (handcoloured copperplate engraving)

First page of the famous Vienna Codex of the Golden Bull, 1365 (handcoloured copperplate engraving)

Italian School, (19th century)

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