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Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older...
IMAGE
number
FLO4708083
Image title
Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the execution work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste. In “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.Norman effigy from Danbury Church.This monument is found in the church at Danbury, in the county of Essex. It is probably older than plate 62, but is of wood not stone. It is astonishing, seeing the little care taken in its conservation, that it is in such good condition. [Strutt] remarks that the perfection of the work is an enigma to him when compared to others of the same epoque, or in contemporary pictures or designs, which lack both accuracy and taste. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).
Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the execution work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste. In “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.Norman effigy from Danbury Church.This monument is found in the church at Danbury, in the county of Essex. It is probably older than plate 62, but is of wood not stone. It is astonishing, seeing the little care taken in its conservation, that it is in such good condition. [Strutt] remarks that the perfection of the work is an enigma to him when compared to others of the same epoque, or in contemporary pictures or designs, which lack both accuracy and taste. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).
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