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Images of 'Historical Costumes Of France' found, 2,621

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Ecclesiastical rite: la tonsure, 15th century - Ecclesiastical rite of tonsure, 15th century - Bishop in mitre, chasuble, dalmatic, alb and maniple, novices accepting the tonsure (haircut) in surtout and stockings - From a manuscript in the Ottobon collection of the Vatican library - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Ecclesiastical rite: la tonsure, 15th century - Ecclesiastical rite of tonsure, 15th century - Bishop in mitre, chasuble, dalmatic, alb and maniple, novices accepting the tonsure (haircut) in surtout and stockings - From a manuscript in the Ottobon collection of the Vatican library - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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Costume d'une homme de la noblesse provencale, 15th century - Nobleman of Provence, 15th century, holding a falcon - He wears a crimson hat with fur and scarlet plumes, tunic in red velvet, slashed grey coat lined with fur, red belt and purse, dagger, green stockings and red shoes - From an illustration by Barthelemy d'Eyck in Rene of Anjous Tournament Book,” “1488 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Costume d'une homme de la noblesse provencale, 15th century - Nobleman of Provence, 15th century, holding a falcon - He wears a crimson hat with fur and scarlet plumes, tunic in red velvet, slashed grey coat lined with fur, red belt and purse, dagger, green stockings and red shoes - From an illustration by Barthelemy d'Eyck in Rene of Anjous Tournament Book,” “1488 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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Costume d'une femme de la noblesse Milanese (Italy), 15th century - Noblewoman of Milan, 15th century - She wears a bonnet adorned with pearls and gems, a red cape with gold embroidery, a white robe embroidered in gold over a blue petticoat - Crimson shoes with gold detail - From a miniature in a Book of Hours from the late 15th century in the Biblioteca Ambrosiana, Milan - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Costume d'une femme de la noblesse Milanese (Italy), 15th century - Noblewoman of Milan, 15th century - She wears a bonnet adorned with pearls and gems, a red cape with gold embroidery, a white robe embroidered in gold over a blue petticoat - Crimson shoes with gold detail - From a miniature in a Book of Hours from the late 15th century in the Biblioteca Ambrosiana, Milan - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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Princess Beatrice (Beatrix) of Este (1475-1497), Duchess of Bari then Milan (Italy), kneeling in prayer - Beatrice d'Este, duchess of Bari and later Milan, 15th century - She wears strings of pearls in her hair, and a long ponytail plaited with white and black - Her dress is in yellow fabric with blue and black stripes, decorated with ribbons - From the Pala Sforzesca altarpiece in the Pinacoteca di Brera, Milan - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Princess Beatrice (Beatrix) of Este (1475-1497), Duchess of Bari then Milan (Italy), kneeling in prayer - Beatrice d'Este, duchess of Bari and later Milan, 15th century - She wears strings of pearls in her hair, and a long ponytail plaited with white and black - Her dress is in yellow fabric with blue and black stripes, decorated with ribbons - From the Pala Sforzesca altarpiece in the Pinacoteca di Brera, Milan - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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Costume d'un apothecaire de Florence (Italy), 15th century - Costume of the Florentine apothecary, Matteo di Marco Palmieri, 15th century - He wears a crimson turban and cape, lined with white fur, green robe with yellow lining, and red shoes - He holds a mortar and pestle - Physicians and apothecaries had the right to wear ermine and squirrel fur - From a squirrel fur - From a painting by Domenico Bartoli in Siena hospital - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Costume d'un apothecaire de Florence (Italy), 15th century - Costume of the Florentine apothecary, Matteo di Marco Palmieri, 15th century - He wears a crimson turban and cape, lined with white fur, green robe with yellow lining, and red shoes - He holds a mortar and pestle - Physicians and apothecaries had the right to wear ermine and squirrel fur - From a squirrel fur - From a painting by Domenico Bartoli in Siena hospital - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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Swearing an oath on the Bible, 15th century - The judge wears a crimson cap called a mortar, simar in gold brocade lined with ermine - The athtaker wears a simar and hood, while the witness wears a short cape lined with marten fur, doublet, stockings, cracows (pointed shoes) - From a miniature ature in manuscript 6829 in the Imperiale Library, Paris - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Swearing an oath on the Bible, 15th century - The judge wears a crimson cap called a mortar, simar in gold brocade lined with ermine - The athtaker wears a simar and hood, while the witness wears a short cape lined with marten fur, doublet, stockings, cracows (pointed shoes) - From a miniature ature in manuscript 6829 in the Imperiale Library, Paris - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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Cosimo (Come) of Medicis (1389-1464), also known as Cosimo the Elder (Cosimo il Vecchio) or Come Pere of the Fatherland (Cosimo Pater Patriae), Italian banker and statesman, founder of the political dynasty of the Medici - Cosimo de Medici (1389-1464), father of the nation - He wears a son bonnet, black cape over black robe - From a painting by Benozzo Gozzoli in the camposante (graveyard) in Pisa - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Cosimo (Come) of Medicis (1389-1464), also known as Cosimo the Elder (Cosimo il Vecchio) or Come Pere of the Fatherland (Cosimo Pater Patriae), Italian banker and statesman, founder of the political dynasty of the Medici - Cosimo de Medici (1389-1464), father of the nation - He wears a son bonnet, black cape over black robe - From a painting by Benozzo Gozzoli in the camposante (graveyard) in Pisa - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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Costume d'une femme de la nobility de Milan (Italy), 15th century - Noblewoman of Milan, 15th century - She wears her hair in a bonnet or wig, white blouse, scarlet simar with slashed puff sleeves decorated with gold bows to the elbow, tight cuffs - She wears earrings, unusual for the era - From a portrait in Brera Gallery, Milan - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Costume d'une femme de la nobility de Milan (Italy), 15th century - Noblewoman of Milan, 15th century - She wears her hair in a bonnet or wig, white blouse, scarlet simar with slashed puff sleeves decorated with gold bows to the elbow, tight cuffs - She wears earrings, unusual for the era - From a portrait in Brera Gallery, Milan - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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Catherine Cornaro (1454-1510), Queen of Cyprus, surrounded by Venetian ladies, kneeling in prayer, holding precious rosaries, 15th century - Catherine Cornaro, Queen of Cyprus with Venetian ladies, 15th century - She wears a crown with gemstones over a green diadem, a veil over her shoulders, corset and sleeves in gold-embroidered fabric - From a painting by Gentile Bellini in the Academy of Fine Arts, Venice - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Catherine Cornaro (1454-1510), Queen of Cyprus, surrounded by Venetian ladies, kneeling in prayer, holding precious rosaries, 15th century - Catherine Cornaro, Queen of Cyprus with Venetian ladies, 15th century - She wears a crown with gemstones over a green diadem, a veil over her shoulders, corset and sleeves in gold-embroidered fabric - From a painting by Gentile Bellini in the Academy of Fine Arts, Venice - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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Pope Sixtus IV (Francesco della Rovere, 1414-1484), crown 1471 - Pope Sixtus IV, (1414-1484), seated on a throne - He wears a bonnet and almuce in red wool trimmed with ermine, linen rochet, and a cassock of white wool - From a painting by Piero della Francesca in the Vatican - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Pope Sixtus IV (Francesco della Rovere, 1414-1484), crown 1471 - Pope Sixtus IV, (1414-1484), seated on a throne - He wears a bonnet and almuce in red wool trimmed with ermine, linen rochet, and a cassock of white wool - From a painting by Piero della Francesca in the Vatican - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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Costume d'une jeune femme de Hollande (Netherlands), 15th century - Costume of a young woman of Holland, 15th century - She wears a pink turban with long veil, white blouse, white cape, and green dress with crimson velvet sleeves - She holds a peacock feather in her hand - From a painting by Lucas van Leyden in the Academy of Fine Arts, Pisa - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Costume d'une jeune femme de Hollande (Netherlands), 15th century - Costume of a young woman of Holland, 15th century - She wears a pink turban with long veil, white blouse, white cape, and green dress with crimson velvet sleeves - She holds a peacock feather in her hand - From a painting by Lucas van Leyden in the Academy of Fine Arts, Pisa - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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Costume d'un jeune homme venitien, tenant un etendard, 15th century - Young Venetian man with banner, 15th century - He wears a scarlet bonnet, a short velvet cape, a crimson and blue doublet, white shirt, scarlet wool stockings and red shoes - He holds a lance with pennant - From a painting by Carlo Crivelli in a gallery in the Pinacoteca di Brera, Milan Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Costume d'un jeune homme venitien, tenant un etendard, 15th century - Young Venetian man with banner, 15th century - He wears a scarlet bonnet, a short velvet cape, a crimson and blue doublet, white shirt, scarlet wool stockings and red shoes - He holds a lance with pennant - From a painting by Carlo Crivelli in a gallery in the Pinacoteca di Brera, Milan Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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Tournament leaders: joute a l'epee entre des chevaliers, 15th century - Joust with swords between two knights at a tournament, 15th century - The knight at left has a coat of arms and caparison of ermine, and wears a helmet with crown, horns, and leopard - The other has a blue coat of arms and caparison illustration, and a helmet with a fleur de lys - From an by Barthelemy d'Eyck in Rene of Anjou's “” Tournament Book,”” 1488 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Tournament leaders: joute a l'epee entre des chevaliers, 15th century - Joust with swords between two knights at a tournament, 15th century - The knight at left has a coat of arms and caparison of ermine, and wears a helmet with crown, horns, and leopard - The other has a blue coat of arms and caparison illustration, and a helmet with a fleur de lys - From an by Barthelemy d'Eyck in Rene of Anjou's “” Tournament Book,”” 1488 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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Italian military costume, 15th century - Italian military costume from the 15th century - He wears a steel helmet and cuirassed ornamented with gold, violet scarf, green doublet, pink stockings, and holds a sword - From a painting in the Sistine Chapel from Lucas Signorelli - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Italian military costume, 15th century - Italian military costume from the 15th century - He wears a steel helmet and cuirassed ornamented with gold, violet scarf, green doublet, pink stockings, and holds a sword - From a painting in the Sistine Chapel from Lucas Signorelli - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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Maximilian I of Habsburg (1459-1519), Emperor of the Holy Roman Empire - Maximilian I, Holy Roman Emperor, in suit of armour and plumed helmet, mounted on an armoured horse with caparison with the coat of arms of Austria (five golden quail) and the Archdukedom of Austria (silver fess on a red field) - After a colored woodcut by Hans Gkmair, 1508 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Maximilian I of Habsburg (1459-1519), Emperor of the Holy Roman Empire - Maximilian I, Holy Roman Emperor, in suit of armour and plumed helmet, mounted on an armoured horse with caparison with the coat of arms of Austria (five golden quail) and the Archdukedom of Austria (silver fess on a red field) - After a colored woodcut by Hans Gkmair, 1508 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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Gaston de Foix, Duke of Nemours or Gaston de Foix Nemours (1489-1512), Count of Etampes, General of the Armees of the King of France - Gaston de Foix (1489-1512), French military commander famous for his campaign during the War of the League of Cambrai - He wears a laurel wreath, a blue tunic over a suit of armour, and rests his hand a sword - From a sculpture by Agostino Busti preserved in the Pinacoteca di Brera, Milan (now in Sforza Castle) - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Gaston de Foix, Duke of Nemours or Gaston de Foix Nemours (1489-1512), Count of Etampes, General of the Armees of the King of France - Gaston de Foix (1489-1512), French military commander famous for his campaign during the War of the League of Cambrai - He wears a laurel wreath, a blue tunic over a suit of armour, and rests his hand a sword - From a sculpture by Agostino Busti preserved in the Pinacoteca di Brera, Milan (now in Sforza Castle) - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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Protocol de challenge d'un tournament de chevalerie, 15th century - Tourney challenge etiquette, 15th century - A seated prince hands a sword to the kneeling king of arms, accompanied by two heralds, to present to his opponent - The prince wears a scarlet hood, doublet, stockings, and cracows - The king of arms wears a coat of arms in ermine, green tunic boots poulaines and spurs - The dais is decorated with the princess's coat of arms - From an illustration by Barthelemy d'Eyck in Rene of Anjou's “” Tournament Book,”” 1488 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,” Levy Fils, Paris, 1861

Protocol de challenge d'un tournament de chevalerie, 15th century - Tourney challenge etiquette, 15th century - A seated prince hands a sword to the kneeling king of arms, accompanied by two heralds, to present to his opponent - The prince wears a scarlet hood, doublet, stockings, and cracows - The king of arms wears a coat of arms in ermine, green tunic boots poulaines and spurs - The dais is decorated with the princess's coat of arms - From an illustration by Barthelemy d'Eyck in Rene of Anjou's “” Tournament Book,”” 1488 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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Military suit: a German knight in armour, Guillaume de Bibra ((Wilhelm von Bibra) (1442-1490) - German knight in armour, 15th century - He wears a steel helmet with gold details, a suit of plate armour in steel with gold joints, green belt, articulated gauntlets and shoes - He is armed with sword, daghelger and battle axe - From the tomb of Wilson M von Bibra, ambassador to HRE Frederick III, in the church of Saint Anastasia, Verona - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Military suit: a German knight in armour, Guillaume de Bibra ((Wilhelm von Bibra) (1442-1490) - German knight in armour, 15th century - He wears a steel helmet with gold details, a suit of plate armour in steel with gold joints, green belt, articulated gauntlets and shoes - He is armed with sword, daghelger and battle axe - From the tomb of Wilson M von Bibra, ambassador to HRE Frederick III, in the church of Saint Anastasia, Verona - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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Costume d'un podestat, magistrate de ville or representative of the Holy Roman Empire, 15th century - Podesta, 15th century chief magistrate of a city state, or representative of the Holy Roman Emperor - He wears a brocade simar (cassock), bonnet, gloves, gold chain and holds a baton - The page wears a scarlet hat, doublet, odd stockings, and a large sword - From a fresco by Pinturicchio in the church of Sant Maria d'Aracoeli, Rome - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Costume d'un podestat, magistrate de ville or representative of the Holy Roman Empire, 15th century - Podesta, 15th century chief magistrate of a city state, or representative of the Holy Roman Emperor - He wears a brocade simar (cassock), bonnet, gloves, gold chain and holds a baton - The page wears a scarlet hat, doublet, odd stockings, and a large sword - From a fresco by Pinturicchio in the church of Sant Maria d'Aracoeli, Rome - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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Military costume: un soldat en cotes de meshes, 13th century (supposedly representation of Hugues III (1148-1192), Duke of Burgundy) - Military costume, 13th century - He wears a blue casque with yellow bend sinister, full chainmail suit of armour, violet tunic, buckler (shield) and sword - From a contemporary manuscript - According to Massard, this is Hugh III, Duke of Burgundy, 12th century - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

Military costume: un soldat en cotes de meshes, 13th century (supposedly representation of Hugues III (1148-1192), Duke of Burgundy) - Military costume, 13th century - He wears a blue casque with yellow bend sinister, full chainmail suit of armour, violet tunic, buckler (shield) and sword - From a contemporary manuscript - According to Massard, this is Hugh III, Duke of Burgundy, 12th century - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

Mercuri, Paolo (1804-84)

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Judges storytellers, guarantors of the deroulement of a chivalry tournament, and a heraut king of arms, officer supervisor of the arms march, 15th century - Four tournament judges, judges', and the king of arms, roi d'armes, 15th century - The judges wear hats or hoods, doublets, stockings and cracows (pointed shoes) - The king of arms wears a chlamys with a parchment painting of the coats of arms of the combatants, doublet, black trousers, cracows with spurs, and holds a paper with the tourney challenges - From an illustration by Barthelemy d'Eyck in Rene of Anjou's “” Tournament Book,”” 1488 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,” Levy Fils, Paris, 1861

Judges storytellers, guarantors of the deroulement of a chivalry tournament, and a heraut king of arms, officer supervisor of the arms march, 15th century - Four tournament judges, judges', and the king of arms, roi d'armes, 15th century - The judges wear hats or hoods, doublets, stockings and cracows (pointed shoes) - The king of arms wears a chlamys with a parchment painting of the coats of arms of the combatants, doublet, black trousers, cracows with spurs, and holds a paper with the tourney challenges - From an illustration by Barthelemy d'Eyck in Rene of Anjou's “” Tournament Book,”” 1488 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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The entrance of the judges, judges tellers, to a town - The lead judge wears a black cap, scarlet simar, and rides a horse in a caparison of scarlet with white band and blue bridle - The second judge has a black hat with plume, scarlet coat over yellow doublet, and rides a horse with a white caparison with scarlet bands - Their squire wears blue cap, green doublet, pink stockings and black cracows (pointed shoes) - From an illustration by Barthelemy d'Eyck in Rene of Anjou's “” Tournament Book,”” 1488 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

The entrance of the judges, judges tellers, to a town - The lead judge wears a black cap, scarlet simar, and rides a horse in a caparison of scarlet with white band and blue bridle - The second judge has a black hat with plume, scarlet coat over yellow doublet, and rides a horse with a white caparison with scarlet bands - Their squire wears blue cap, green doublet, pink stockings and black cracows (pointed shoes) - From an illustration by Barthelemy d'Eyck in Rene of Anjou's “” Tournament Book,”” 1488 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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King Edward III of England (1312-1377) - King Edward III of England, 14th century, in blue cape trimmed with ermine, red tunic bordered with gold - From his sepulchral monument in Westminster Abbey, London, with gold crown from the monument to Henry III, sceptre from paintings of Richard II, and throne from an ancient manuscript - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

King Edward III of England (1312-1377) - King Edward III of England, 14th century, in blue cape trimmed with ermine, red tunic bordered with gold - From his sepulchral monument in Westminster Abbey, London, with gold crown from the monument to Henry III, sceptre from paintings of Richard II, and throne from an ancient manuscript - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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Costume d'un homme de la nobility german, 15th century - German nobleman, 15th century - He wears a red hat tied with green ribbon, hood and collar embroidered in gold, white robe with gold hem, red stockings and grey boots with silver spurs, red belt and sword in white scabbard - (In the original, the collar is yellow, the robe blue and boots yellow -) From a painting by Pinturicchio showing the introduction of Eleanor of Portugal to Frederick III, Piccolomini Library, Duomo, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Costume d'un homme de la nobility german, 15th century - German nobleman, 15th century - He wears a red hat tied with green ribbon, hood and collar embroidered in gold, white robe with gold hem, red stockings and grey boots with silver spurs, red belt and sword in white scabbard - (In the original, the collar is yellow, the robe blue and boots yellow -) From a painting by Pinturicchio showing the introduction of Eleanor of Portugal to Frederick III, Piccolomini Library, Duomo, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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Scene of morals in a Milanese interior, the man heats up in front of the fireplace, while his wife sets the table for dinner, 15th century - Household scene in Milan, 15th century - A Milanese gentleman warms at the hearth, while himself a woman prepares a meal at the table - He wears a red cap, simar lined with ermine, and red stockings - She wears a white cap, red robe and white apron - From a miniature painting in a manuscript in Biblioteca Ambrosiana, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Scene of morals in a Milanese interior, the man heats up in front of the fireplace, while his wife sets the table for dinner, 15th century - Household scene in Milan, 15th century - A Milanese gentleman warms at the hearth, while himself a woman prepares a meal at the table - He wears a red cap, simar lined with ermine, and red stockings - She wears a white cap, red robe and white apron - From a miniature painting in a manuscript in Biblioteca Ambrosiana, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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Costume d'un juge penal anglais, 15eme century - Costume of an English criminal judge, 15th century - He wears an ermine-lined cape secured at the shoulder with a brooch, ermine-lined hood and robe, green purse with gold clasp - He wears a dagger called an anelacium from his belt - From a sepulchral monument to Sir William Gascoigne, Chief Justice of England during the reign of King Henry IV, in Harewood Church - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Costume d'un juge penal anglais, 15eme century - Costume of an English criminal judge, 15th century - He wears an ermine-lined cape secured at the shoulder with a brooch, ermine-lined hood and robe, green purse with gold clasp - He wears a dagger called an anelacium from his belt - From a sepulchral monument to Sir William Gascoigne, Chief Justice of England during the reign of King Henry IV, in Harewood Church - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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Scene de moreurs: des couples deguises à l'Orientale, entoures of musicians, during an Italian carnival, 15th century - Scene from an elegant carnival, Italy, 15th century - The women all wear red bodices and petticoats, green sleeves and white headdresses - The Turk wears a turban and gold robe - The man in front has a blue hat with plume, blue pelerine over white robe embroidered with gold - the same fabric as the bodice and petticoat of his companion - Musicians in similar pelerines and hats play lutes and guitars - From a miniature painting in a manuscript in Biblioteca Ambrosiana, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,” Levy Fils, Paris, 1861

Scene de moreurs: des couples deguises à l'Orientale, entoures of musicians, during an Italian carnival, 15th century - Scene from an elegant carnival, Italy, 15th century - The women all wear red bodices and petticoats, green sleeves and white headdresses - The Turk wears a turban and gold robe - The man in front has a blue hat with plume, blue pelerine over white robe embroidered with gold - the same fabric as the bodice and petticoat of his companion - Musicians in similar pelerines and hats play lutes and guitars - From a miniature painting in a manuscript in Biblioteca Ambrosiana, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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Costume of a member of the company della Calza, young Venetian noble, wearing the distinctive costume of a theatrical society, responsible for organizing parties and games in Venice (Italy) (show, carnival, boat race or naval battles in the canals), 15th century - Member of a Compagnie della Calza, young Venetian noblemen who organized spectacles and masquerades in Venice, 15th century - He wears a violet toque, a green velvet jacket, black doublet, and odd stockings - The left is striped, and the right is scarlet decorated with pearls and palms - From a painting by Vittore Carpaccio in the Academy of Fine Arts, Venice - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Costume of a member of the company della Calza, young Venetian noble, wearing the distinctive costume of a theatrical society, responsible for organizing parties and games in Venice (Italy) (show, carnival, boat race or naval battles in the canals), 15th century - Member of a Compagnie della Calza, young Venetian noblemen who organized spectacles and masquerades in Venice, 15th century - He wears a violet toque, a green velvet jacket, black doublet, and odd stockings - The left is striped, and the right is scarlet decorated with pearls and palms - From a painting by Vittore Carpaccio in the Academy of Fine Arts, Venice - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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Frankish and Merovingian costumes, historical fashion plate from 'Les Modes Francaises - Journal des Tailleurs', 1836 (coloured engraving)

Frankish and Merovingian costumes, historical fashion plate from 'Les Modes Francaises - Journal des Tailleurs', 1836 (coloured engraving)

French School, (19th century)

CHT178731

Madeleine of France (or Madeleine de Valois, 1520-1537), wife of King James V of Scotland, 1536. Handcoloured lithograph from Thomas Hailes Lacy's “” Female Costumes Historical, National and Dramatic in 200 Plates,” London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Madeleine of France (or Madeleine de Valois, 1520-1537), wife of King James V of Scotland, 1536. Handcoloured lithograph from Thomas Hailes Lacy's “” Female Costumes Historical, National and Dramatic in 200 Plates,” London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

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Maria Theresa (1638-1683), Infanta of Spain, 1660. Illustration copied from Laumosnier's painting “” Meeting between Louis XIV of France and Philippe IV of Spain.”” Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

Maria Theresa (1638-1683), Infanta of Spain, 1660. Illustration copied from Laumosnier's painting “” Meeting between Louis XIV of France and Philippe IV of Spain.”” Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

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Costume of a Representative of The French People in 1793, from 'A New Collection of Military Costumes from France and other Countries, Old and Modern', Paris, 1794-95 (colour engraving)

Costume of a Representative of The French People in 1793, from 'A New Collection of Military Costumes from France and other Countries, Old and Modern', Paris, 1794-95 (colour engraving)

David, Jacques Louis (1748-1825) (after)

CHT268785

Member of the Council of the Five Hundred during the Directoire period, 1795-99 (coloured engraving)

Member of the Council of the Five Hundred during the Directoire period, 1795-99 (coloured engraving)

Garneray, Jean Francois (1755-1837) (after)

CHT268784

PERFORMERS CELEBRATE THE OMMEGANG PAGEANT ON BRUSSELS' GRAND PLACE, 2003-07-03 (photo)

PERFORMERS CELEBRATE THE OMMEGANG PAGEANT ON BRUSSELS' GRAND PLACE, 2003-07-03 (photo)

Francois Lenoir

REU7863508

Portaits of the kings Louis IV of France (920 or 921-954) (Figure 81) and Lothaire (Lothar) I (795-855), emperor of the Romans, King of Baviere, Italy and Middle Francia (Figure 82). Both have a tunic and a coat of different lengths. Their crowns differ, that of Louis IV is closed like a diademe and his sceptre is topped by a pine cone, Lothaire wears a simple circle of gold decorated with flowers, and his sceptre is topped by a flower. For the French, as for the Anglo Saxons, the mantle was reserved for persons of high rank. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. King Louis IV and King Lothar I. Louis IV (81) wears a long tunic and a mantle that is not fastened anywhere with a clasp, just simply thrown over the breast; his crown is closed like a diadem, and his sceptre ends in a pine cone. Lothar I (82) is clothed like Louis IV, only his mantle is shorter and

Portaits of the kings Louis IV of France (920 or 921-954) (Figure 81) and Lothaire (Lothar) I (795-855), emperor of the Romans, King of Baviere, Italy and Middle Francia (Figure 82). Both have a tunic and a coat of different lengths. Their crowns differ, that of Louis IV is closed like a diademe and his sceptre is topped by a pine cone, Lothaire wears a simple circle of gold decorated with flowers, and his sceptre is topped by a flower. For the French, as for the Anglo Saxons, the mantle was reserved for persons of high rank. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. King Louis IV and King Lothar I. Louis IV (81) wears a long tunic and a mantle that is not fastened anywhere with a clasp, just simply thrown over the breast; his crown is closed like a diadem, and his sceptre ends in a pine cone. Lothar I (82) is clothed like Louis IV, only his mantle is shorter and

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Hurteaux in the role of Lord Enrico Ashton, in the opera 'Lucie de Lammermoor', by Gaetano Donizetti (1797-1848) (colour engraving)

Hurteaux in the role of Lord Enrico Ashton, in the opera 'Lucie de Lammermoor', by Gaetano Donizetti (1797-1848) (colour engraving)

French School, (19th century)

XJL379432

Playbill for the opera 'Lucie de Lammermoor', by Gaetano Donizetti (1797-1848) Printed by Bertauts (litho)

Playbill for the opera 'Lucie de Lammermoor', by Gaetano Donizetti (1797-1848) Printed by Bertauts (litho)

French School, (19th century)

XJL379430

Prince Louis, Duke of Nemours, Louis-Charles-Philippe-Raphael d'Orleans, Duke of Nemours 1814-1896. In the military uniform of a Marechal-de-Camp. Handcoloured lithograph from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Prince Louis, Duke of Nemours, Louis-Charles-Philippe-Raphael d'Orleans, Duke of Nemours 1814-1896. In the military uniform of a Marechal-de-Camp. Handcoloured lithograph from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

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Charles de Lorraine, Prince Charles, Count of Armagnac, 1684-1751. Handcoloured lithograph after a portrait in Roger de Gaignieres' gallery portfolios from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Charles de Lorraine, Prince Charles, Count of Armagnac, 1684-1751. Handcoloured lithograph after a portrait in Roger de Gaignieres' gallery portfolios from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

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Isabelle de Limeuil, Maid of Honour to Catherine de' Medici, wife of King Henry II of France (coloured engraving)

Isabelle de Limeuil, Maid of Honour to Catherine de' Medici, wife of King Henry II of France (coloured engraving)

French School, (19th century)

LLM971812

Charles of Anjou (1226-1285) French prince and king Charles I of Naples from 1266 and titular king of Jerusalem from 1277 - Charles of Anjou, Charles I of Naples, 1226-1285, at his investiture as senator of Rome - He wears a crown, chlamys fastened at the shoulder with a clasp, a pink tunic over a red doublet, and holds the capituli, the constitution of Rome - He is seated on a lion throne - From a statue by Nicolas Pisan (later attributed to Arnolfo di Cambio) in the Capitolini, Rome - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris 1860

Charles of Anjou (1226-1285) French prince and king Charles I of Naples from 1266 and titular king of Jerusalem from 1277 - Charles of Anjou, Charles I of Naples, 1226-1285, at his investiture as senator of Rome - He wears a crown, chlamys fastened at the shoulder with a clasp, a pink tunic over a red doublet, and holds the capituli, the constitution of Rome - He is seated on a lion throne - From a statue by Nicolas Pisan (later attributed to Arnolfo di Cambio) in the Capitolini, Rome - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris 1860

Mercuri, Paolo (1804-84)

FLO4676239

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