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The Unannounced Return by Night of L. Tarquinius Collatinus and his Companions to find his...

The Unannounced Return by Night of L. Tarquinius Collatinus and his Companions to find his Wife Lucretia Weavi
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Largest available format 3425 × 2853 px 2 MB
Dimension [pixels] Dimension in 300dpi [mm] File size [MB]
Large 3425 × 2853 px 290 × 242 mm 2.1 MB
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IMAGE number
USB1161917
Image title
The Unannounced Return by Night of L. Tarquinius Collatinus and his Companions to find his Wife Lucretia Weaving (oil on canvas)
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Artist
Baleschoux, Jehan Balechouse John (fl.1570) (attr.to) / French
Location
Hardwick Hall, Derbyshire, UK
Medium
oil on canvas
Date
C16th AD
Dimensions
84.7x102.9 cms
Image description

The Unannounced Return by Night of L. Tarquinius Collatinus and his Companions to find his Wife Lucretia Weaving, attributed to Jehan Baleschoux (fl.1570 - d.c.1618), inscribed on entablature at upper left: 1570. On the left are Roman architectural elements and in the foreground, bottom left is L.Tarquinius Collatinus in armour and plumed helmet mounted on a white horse with his companions standing alongside on foot, also in armour with shields, spears and plumed helmets. He arrives at the arched entrance of a palace, inside which Lucretia is seen, through an arched window, centre left, seated and working at her loom by candlelight. She appears a second time, to right, through a massive arch, standing at her loom, on her left shoulder rests the hand of a Sextus Tarquinius in doublet and trunk-hose typical of the 1570s who stands beside her. On a stepped courtyard in front of them are two dogs sniffing each other. The figures wear contemporary sixteenth-century dress although the original story is related by the Roman historian Livy 1: 57-9 and alludes to Bess of Hardwick who had already begun by 1570 to represent herself to the frequently absent Earl of Shrewsbury as the virtuous wife diligently working at her embroideries. Significantly, Lucretia was the subject of an appliqué wallhanging which still survives at Hardwick and Bess named her youngest daughter after the heroine. The painting is not an original composition but represents the careful amalgamation of two woodcuts designed by Jost Amman for the Lutheran Bible published in Frankfurt in 1564: the arched structure on the extreme left and the group of soldiers were copied from Amman's illustration of the Triumph of Mordecai, in the Bible's Old Testamant (Esther 6), while the rest of the architecture including the stepped plinth and the brawling dogs were lifted from Amman's Nebuchadnezzar's Dreams, also in the Bible's Old Teastament (Daniel 2). Lucretia (6th century BC) was the Roman wife of L. Tarquinius Collatinus. She was raped by Sextus Tarquinius, son of Lucius Tarquinius Superbus (the Proud) traditionally the 7th and last king of Rome (734-510 BC). She summoned her husband and friends, and, making them take an oath to drive out the Tarquins, plunged a knife into her heart. The Tarquins were later expelled by Lucius Junius Brutus, the legendary Roman hero, who established Republican government. The artist, also called John Balechouse, a painter of hitherto uncertain origin worked for the Shrewsbury family at Chatsworth from no later than 1578 until after the death of Bess of Hardwick in 1608.

Photo credit
National Trust Photographic Library / Bridgeman Images
Image keywords
Antiquity / art / couple / woman / history / man / monarchy / painting / ancient Rome / mzpainting / Lucretia (?-510 bc)

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