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The End of Innocence, 2009 (Screen, projector and hard drive)

The End of Innocence, 2009 (Screen, projector and hard drive)
premium
21st-century
absence
soul
art
contemporary-art
waterfall
colour
water
man
Innocent-X-(1574-1655)
pope
art-installation
modernity
movement-(action)
object
computer
rain
portrait
sculpture
technology
one-person
movie
cinema
2000s
transfiguration
metaphysics
contemporary-artist
digital-art
Collishaw-Mat-(b.1966)
England
United-Kingdom
Europe
artist
Young-British-Artists
21st-century
absence
soul
art
contemporary-art
waterfall
colour
water
man
Innocent-X-(1574-1655)
pope
art-installation
modernity
movement-(action)
object
computer
rain
portrait
sculpture
technology
one-person
movie
cinema
2000s
transfiguration
metaphysics
contemporary-artist
digital-art
Collishaw-Mat-(b.1966)
England View More
Asset Details
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2233 × 3000 px | 7 MB
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IMAGE number

MCW7319793

Image title

The End of Innocence, 2009 (Screen, projector and hard drive)

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Artist

Collishaw, Mat (b.1966) / British
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Medium

Screen, projector and hard drive

Date

2009 AD (C21st AD)

Image description

This work refers to the Francis Bacon and Velázquez portraits of Pope Innocent X. The paintings perform as a conduit through which the Pope, the ambassador of God, appears. The presence of the Pope is impermanent in Collishaw's film; he appears and disappears behind a constantly falling digital curtain. This alludes to both the vertical curtain like trope in Bacons paintings and the digital rain effect made popular in the Matrix films which in turn refers to other states of being. In this projection, a perpetual digital rain through which the paintings of Velázquez and Bacon materialise and dissolve confronts the viewer. The Pope exists in a digital twilight zone where he has discarded his physical state for an existence of interminable transience. Bacon seemed to take the Velazquez portrait and plug it into the electric grid. Now, in an age when everything is becoming rapidly digitalised, this work attempts to push this ethereal mirage into the nebulous world of micro computing and binary memory. The image still exists but it has been pushed into another realm, past a Velázquez portrait of the spiritual surrogate, through a Bacon study of a reproduction of that painting, and into pixelated never-land, a return to it's incorporeal being.

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© Mat Collishaw. All rights reserved 2024 / Bridgeman Images

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Largest available format 2233 × 3000 px 7 MB
Dimension [pixels] Dimension in 300dpi [mm] File size [MB]
Large 2233 × 3000 px 189 × 254 mm 6.9 MB
Medium 762 × 1024 px 65 × 87 mm 1.3 MB

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