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An Alchemist

An Alchemist
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Largest available format 3977 × 5204 px 5 MB
Dimension [pixels] Dimension in 300dpi [mm] File size [MB]
Large 3977 × 5204 px 337 × 441 mm 5.2 MB
Medium 783 × 1024 px 66 × 87 mm 899 KB
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IMAGE number
USB1155822
Image title
An Alchemist
Auto-translated text View Original Source
Artist
Wyck, Thomas (1616-77) / English
Location
Ham House, Surrey, UK
Medium
oil on canvas
Dimensions
127x101.6 cms
Image description

Thomas Wyck (Beverwijk 1616 – Haarlem 1677). Oil painting on canvas, An Alchemist by Thomas Wyck (Beverwijk 1616 – Haarlem 1677), signed: T. Wijk, circa 1673. A male figure in sixteenth century dress sitting upon a chair on a raised daiz in his workshop, which is cluttered with books and other objects. His male assistant stands to the left, carrying a large bottle. Other female figures can be seen through the door in the centre at the back. Wyck was born in Beverwijk near Haarlem where he principally worked. He came to England with his son, Jan, after the Restoration, and they are known to have been in London by the summer of 1674. They were among the most important Dutch painters working in England in the later Stuart period in the lesser genres, that is, those other than the portrait. Their works were often incorporated into the panelling of interiors; and the father and son worked for the Lauderdales at Ham. The Alchemist is presumably the painting that appears as no.46 in the 'Estimate' of pictures at Ham, 'A Chymist of Old Wyck' (MSS List at Ham House, undated, c.1679). It was one of the two pictures by Wyck that were put up in the Duke's closet and was probably the picture that the Duke's joiner fitted into the room later in 1674. The other, an Italianate landscape with ruins, had been installed slightly earlier when the joiner removed the panel over a door in the room in order to insert the picture. Thomas Wyck specialised in such subjects as alchemists in their laboratories, considered particularly suitable for libraries and studies like the Duke's closet, Italianate harbours, street scenes and landscapes, all painted in a decorative manner slightly reminiscent of Pieter Jacobsz Laar (Bamboccio). Good examples of his alchemists, presumably painted for English patrons, are at Knole and Hatfield. Wyck was back at Haarlem at the time of his death. (from Sir Oliver Millar in Treasure Houses of Britain, Five Hundred Years of Private Patronage and Art Collecting, New Haven/London, 1985) Ham House, Surrey (Accredited Museum)

Photo credit
National Trust Photographic Library / Bridgeman Images
Image keywords
Painting / Mzpainting

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