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Rex Whistlers self-portrait in Welsh Guards uniform, May 1940 (oil on canvas)
Editorial (Books, magazines and newspaper) - extended
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 5000. 7 years. (excludes advertising)
$175.00
Editorial (Books, magazines and newspaper) - standard
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 1500. 7 years. (excludes advertising)
$100.00
Corporate website, social media or presentation/talk
Web display, social media, apps or blogs.
Not for advertising. All languages. 1 year + archival rights
$190.00
Personal website, social media or presentation/talk
Web display, social media, apps, or blogs. Use in academic and non-commercial presentations/talks included. Not for commercial use or advertising. All languages. 5 years
$50.00
Personal products
Personal Prints, Cards, Gifts, Reference. 5 year term. Not for commercial use, not for public display, not for resale. example: For use on birthday cards sent to family members.
Rex Whistlers self-portrait in Welsh Guards uniform, May 1940.
Oil on canvas by Reginald (Rex) John Whistler (1905-1944), 1940.
The artist depicted himself enjoying a drink on the balcony of a friends house in York Terrace, overlooking Regent's Park, London, on 'the day his uniform came'. Aged 35 and too old for immediate conscription, Rex Whistler had volunteered for service upon the outbreak of war: he saw it as a duty that men of his age should fight, rather than young boys. By this time Whistler had already established a considerable reputation as an artist, particularly of trompe loeil murals, stage designs and book illustrations.
Following the mechanisation of the Foot Guards as part of the Guards Armoured Division in 1941, Second Lieutenant Rex Whistler, 2nd Battalion Welsh Guards, found himself a troop commander, in charge of three tanks. During four years of intensive military training at Caterham, Wiltshire, Norfolk and on the Yorkshire moors, he continued to produce commercial work, and drew continuously for his friends. But in late June 1944, his regiment crossed the Channel with the division, equipped with Cromwell tanks.
Tragically, the artist was killed on his first day in action, 18 July 1944, during Operation GOODWOOD near Caen in Normandy. Concerned for his men who were trapped in a tank, he had left the safety of his own tank to help, but was blown up by blast from a German mortar. He is buried in the small military cemetery at Banneville-la-Campagne.