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Apollo and Daphne, 1517-18 (fresco) (detail of 2646086)
Editorial (Books, magazines and newspaper) - extended
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 5000. 7 years. (excludes advertising)
$175.00
Editorial (Books, magazines and newspaper) - standard
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 1500. 7 years. (excludes advertising)
$100.00
Corporate website, social media or presentation/talk
Web display, social media, apps or blogs.
Not for advertising. All languages. 1 year + archival rights
$190.00
Personal website, social media or presentation/talk
Web display, social media, apps, or blogs. Use in academic and non-commercial presentations/talks included. Not for commercial use or advertising. All languages. 5 years
$50.00
Personal products
Personal Prints, Cards, Gifts, Reference. 5 year term. Not for commercial use, not for public display, not for resale. example: For use on birthday cards sent to family members.
Rome, Villa Farnesina, The Hall of Perspectives: the ample frieze with mythological scenes inspired by the Ovid Metamorphoses. Detail of Apollo and Daphne.
Frescoes by Baldassarre Peruzzi and workshop (Giulio Romano?) 1517-18. Roma, Villa Farnesina, Sala delle Prospettive: fregio superiore con scene mitologiche ispirate alle Metamorfosi di Ovidio.
Affreschi di Baldassarre Peruzzi e bottega (Giulio Romano?) 1517-18.
Particolare con Apollo che si protende verso Dafne, convinto ormai di averla raggiunta. Proprio mentre l'afferra si rende conto che questa ha iniziato a trasformarsi in un albero. Dafne vorrebbe proseguire la sua corsa, tanto che la parte superiore del suo corpo è sbilanciata in avanti, ma le sue gambe rimangono fissate al terreno, sono ormai tronco, e la sua metamorfosi sta per compiersi.
Il personaggio disteso davanti a lei, con una folta barba bianca, che si appoggia ad un'urna, dovrebbe impersonare il dio-fiume Peneo, padre di Dafne, che ha ascoltato le preghiere della figlia e ha acconsentito alla sua trasformazione in albero, affinché questa possa tener fede al suo voto di castità. Disposte attorno ai protagonisti principali, figure di ninfe ed altre divinità fluviali.