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Andre Ernest Modeste (Andre-Ernest-Modeste) Gretry (1741-1813), a French composer and friend of Voltaire, on the...
Editorial (Books, magazines and newspaper) - extended
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 5000. 7 years. (excludes advertising)
$175.00
Editorial (Books, magazines and newspaper) - standard
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 1500. 7 years. (excludes advertising)
$100.00
Corporate website, social media or presentation/talk
Web display, social media, apps or blogs.
Not for advertising. All languages. 1 year + archival rights
$190.00
Personal website or social media
Web display, social media, apps or blogs. 5 years.
Not for commercial use or advertising.
All languages. 5 years
$50.00
Personal products
Personal Prints, Cards, Gifts, Slide Presentations, Reference. 5 year term. Not for commercial use, not for public display, not for resale.
example: For use in an internal Powerpoint presentation at work.
5 years
Andre Ernest Modeste (Andre-Ernest-Modeste) Gretry (1741-1813), a French composer and friend of Voltaire, on the day of the first performance of the “Huron”, a comic opera that brought him his first great success to the Parisian audience. Worried, and hesitant about this first representation of the “Huron””, the composer cannot resign himself to entering the room: “” I was posted at the corner of rue Mauconseil (where the Italian Comedie was located). The, my eyes fixed themselves on the cars and seemed to attract spectators and seek their indulgence.””” engraving in “” Popular Music””” illustrious weekly newspaper - 1881
Andre Ernest Modeste (Andre-Ernest-Modeste) Gretry (1741-1813), a French composer and friend of Voltaire, on the day of the first performance of the “Huron”, a comic opera that brought him his first great success to the Parisian audience. Worried, and hesitant about this first representation of the “Huron””, the composer cannot resign himself to entering the room: “” I was posted at the corner of rue Mauconseil (where the Italian Comedie was located). The, my eyes fixed themselves on the cars and seemed to attract spectators and seek their indulgence.””” engraving in “” Popular Music””” illustrious weekly newspaper - 1881
