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Images de 'Native D 'America' médias trouvés, 763

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Common brunella (Prunella vulgaris). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Common self-heal, Prunella vulgaris, native to Europe, Asia and North America. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.

Common brunella (Prunella vulgaris). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Common self-heal, Prunella vulgaris, native to Europe, Asia and North America. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.

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Large nettle or nettle (Urtica dioica). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Stinging nettle, Urtica dioica, native to Europe, Asia, Africa and America. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.

Large nettle or nettle (Urtica dioica). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Stinging nettle, Urtica dioica, native to Europe, Asia, Africa and America. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.

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Meadow or red meadow (Anagallis arvensis). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Scarlet pimpernel, Anagallis arvensis, native to Europe, Asia and North America. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.

Meadow or red meadow (Anagallis arvensis). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Scarlet pimpernel, Anagallis arvensis, native to Europe, Asia and North America. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.

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The Native Village, plate IX from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo)

The Native Village, plate IX from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo)

Pennell, Joseph (1858-1926)

XJF135626

Comb with Human Head (antler)

Comb with Human Head (antler)

Native American

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Common or vulgar ophioglossum or snake tongue or seamless grass (Ophioglossum vulgatum). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Southern adderstongue, Ophioglossum vulgatum, native to Europe, Africa and America. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.

Common or vulgar ophioglossum or snake tongue or seamless grass (Ophioglossum vulgatum). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Southern adderstongue, Ophioglossum vulgatum, native to Europe, Africa and America. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.

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Liatide or liatris, native to North America - S. Watts strong water from an illustration by M. Hart, from the Botanical Register, 1834, by Sydenham Edwards (1768-1819) - Large-flowered liatris, Liatris scariosa, Native to North America - Handcoloured copperplate engraving by S. Watts after an illustration by M.Hart from Sydenham Edwards' “The Botanical Register,” London, Ridgway, 1834

Liatide or liatris, native to North America - S. Watts strong water from an illustration by M. Hart, from the Botanical Register, 1834, by Sydenham Edwards (1768-1819) - Large-flowered liatris, Liatris scariosa, Native to North America - Handcoloured copperplate engraving by S. Watts after an illustration by M.Hart from Sydenham Edwards' “The Botanical Register,” London, Ridgway, 1834

Edwards, Sydenham Teast (c.1768-1819)

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Blue morpho butterfly. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Menelaus Blue Morpho butterfly. Morpho menelaus (Papilio menelaus). Iridescent blue tropical butterfly native to Central and South America. Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).

Blue morpho butterfly. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Menelaus Blue Morpho butterfly. Morpho menelaus (Papilio menelaus). Iridescent blue tropical butterfly native to Central and South America. Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).

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Groseillier, native of North America - Water strong by S. Watts from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register, 1834, by Sydenham Edwards (1768-1819) - White-flowered or snow gooseberry, Ribes niveum, Native to North America - Handcoloured copperplate engraving by S. Watts after an illustration by Miss Drake, from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1834

Groseillier, native of North America - Water strong by S. Watts from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register, 1834, by Sydenham Edwards (1768-1819) - White-flowered or snow gooseberry, Ribes niveum, Native to North America - Handcoloured copperplate engraving by S. Watts after an illustration by Miss Drake, from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1834

Edwards, Sydenham Teast (c.1768-1819)

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Stygmaphyllon, native to South America - Strong water by S. Watts from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register, 1834, by Sydenham Edwards (1768-1819) - Awned stigmaphyllon, Stigmaphyllon auriculatum (Stigmaphyllon aristatum), Native to South America - Handcoloured copperplate engraving by S. Watts after an illustration by Miss Drake, from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1834

Stygmaphyllon, native to South America - Strong water by S. Watts from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register, 1834, by Sydenham Edwards (1768-1819) - Awned stigmaphyllon, Stigmaphyllon auriculatum (Stigmaphyllon aristatum), Native to South America - Handcoloured copperplate engraving by S. Watts after an illustration by Miss Drake, from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1834

Edwards, Sydenham Teast (c.1768-1819)

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Robinier acacia - Leaves, flower, pod and seed of the Locust tree, Robinia pseudo acacia. Handcolored stipple engraving from a botanical illustration by Pancrace Bessa, engraved on copper by Gabriel, from Francois Andre Michaux's “” North American Sylva,”” Philadelphia, 1857. English botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees.

Robinier acacia - Leaves, flower, pod and seed of the Locust tree, Robinia pseudo acacia. Handcolored stipple engraving from a botanical illustration by Pancrace Bessa, engraved on copper by Gabriel, from Francois Andre Michaux's “” North American Sylva,”” Philadelphia, 1857. English botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees.

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Botanical board: hazelnut and hazelnut - American hazelnut, Corylus americana, native to North America. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Science,”” 1837. Engraved by Stanghi, drawn by Pierre Jean-Francois Turpin, and published by Batelli and Figli. Turpin (1775-1840) is considered one of the greatest English botanical illustrators of the 19th century.

Botanical board: hazelnut and hazelnut - American hazelnut, Corylus americana, native to North America. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Science,”” 1837. Engraved by Stanghi, drawn by Pierre Jean-Francois Turpin, and published by Batelli and Figli. Turpin (1775-1840) is considered one of the greatest English botanical illustrators of the 19th century.

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Virgine Aster or Harvester - S. Watts Strong Water from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register, 1834, by Sydenham Edwards (1768-1819) - New York aster, Symphyotrichum novi-belgii (Pure white lofty aster, Aster eminens var. virgineus), Native to North America - Handcoloured coppercoloured engraving by S. Watts after an illustration by Miss Drake, from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1834

Virgine Aster or Harvester - S. Watts Strong Water from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register, 1834, by Sydenham Edwards (1768-1819) - New York aster, Symphyotrichum novi-belgii (Pure white lofty aster, Aster eminens var. virgineus), Native to North America - Handcoloured coppercoloured engraving by S. Watts after an illustration by Miss Drake, from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1834

Edwards, Sydenham Teast (c.1768-1819)

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Orchid, Royal Cypripede - Water forte by S. Watts from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register, 1834, by Sydenham Edwards (1768-1819) - Showy ladys-slipper orchid, Cypripedium reginae (Large white lady's slipper, Cypripedium spectabile), Native to North America - Handcoloured copperplate engraving by S. Watts after an illustration by Miss Drake, from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1834

Orchid, Royal Cypripede - Water forte by S. Watts from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register, 1834, by Sydenham Edwards (1768-1819) - Showy ladys-slipper orchid, Cypripedium reginae (Large white lady's slipper, Cypripedium spectabile), Native to North America - Handcoloured copperplate engraving by S. Watts after an illustration by Miss Drake, from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1834

Edwards, Sydenham Teast (c.1768-1819)

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Native American, North America Medicine or sacred bundle, Canada and USA, 1880-1920

Native American, North America Medicine or sacred bundle, Canada and USA, 1880-1920

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Yellow paving branch, with fruits (chestnuts) and flowers Yellow flowers, leaves, fruit, chestnut of the Large buckeye tree, Pavia lutea. Handcolored stipple engraving from a botanical illustration by Pancrace Bessa, engraved on copper by Gabriel, from Francois Andre Michaux's “” North American Sylva,”” Philadelphia, 1857. English botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees.

Yellow paving branch, with fruits (chestnuts) and flowers Yellow flowers, leaves, fruit, chestnut of the Large buckeye tree, Pavia lutea. Handcolored stipple engraving from a botanical illustration by Pancrace Bessa, engraved on copper by Gabriel, from Francois Andre Michaux's “” North American Sylva,”” Philadelphia, 1857. English botanist Michaux (1770-1855) explored America and Canada in 1785 cataloging its native trees.

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Sirene lacertine, species of urodele (tail batracian), similar to an eel with legs. Copper engraving by Frederick Polydor Nodder (1751-1801), drawing by M. Ellis, for the naturalist collection, published in 1790 by George Shaw. Siren or greater siren. Siren lacertina. Eel like amphibian native to America. Drawing by Mr. Ellis. Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver from George Shaw's “” Naturalist's Miscellany”” (1790).

Sirene lacertine, species of urodele (tail batracian), similar to an eel with legs. Copper engraving by Frederick Polydor Nodder (1751-1801), drawing by M. Ellis, for the naturalist collection, published in 1790 by George Shaw. Siren or greater siren. Siren lacertina. Eel like amphibian native to America. Drawing by Mr. Ellis. Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver from George Shaw's “” Naturalist's Miscellany”” (1790).

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Native of North America, after Cartias, National Library, 1780. Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

Native of North America, after Cartias, National Library, 1780. Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

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Brugmansia ecarlate or trumpet of angels ecarlate, native of South America - Strong water by S. Watts from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register, 1834, by Sydenham Edwards (1768-1819) - Red angel's trumpet, Brugmansia sanguinea (Two-coloured brugmansia, Brugmansia bicolor), Native to Guayaquil, South America - Handcoloured copperplate engraving by S. Watts after an illustration by Miss Drake, from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1834

Brugmansia ecarlate or trumpet of angels ecarlate, native of South America - Strong water by S. Watts from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register, 1834, by Sydenham Edwards (1768-1819) - Red angel's trumpet, Brugmansia sanguinea (Two-coloured brugmansia, Brugmansia bicolor), Native to Guayaquil, South America - Handcoloured copperplate engraving by S. Watts after an illustration by Miss Drake, from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1834

Edwards, Sydenham Teast (c.1768-1819)

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Jan. 21, 1954 - Santa Cristina Gela - Palermo (Sicily): Charles V. Carollo expelled from the United States of America after 43 years of permanent life over there recently returned to his native country. Charles V. Carollo immigrated to the States when he was only three and his recent expulsion was based on the reason that he was the head of a gangsters band

Jan. 21, 1954 - Santa Cristina Gela - Palermo (Sicily): Charles V. Carollo expelled from the United States of America after 43 years of permanent life over there recently returned to his native country. Charles V. Carollo immigrated to the States when he was only three and his recent expulsion was based on the reason that he was the head of a gangsters band

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Dendrium buxifolium, native to America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Dendrium buxifolium, native to America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

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Buttonbush, Cephalanthus occidentalis, native to North America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Buttonbush, Cephalanthus occidentalis, native to North America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

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Mask flower, Alonsoa meridionalis, native to South America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Mask flower, Alonsoa meridionalis, native to South America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

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Sterculia balanghas, native to Africa, America and Asia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Sterculia balanghas, native to Africa, America and Asia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

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Adam's needle, Yucca filamentosa, native to North America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Adam's needle, Yucca filamentosa, native to North America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

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Bigflower pawpaw tree, Asimina obovata, native to America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Bigflower pawpaw tree, Asimina obovata, native to America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

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Pickerel weed, Pontederia cordata, native to North America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Pickerel weed, Pontederia cordata, native to North America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

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Blanket flower, Gaillardia aristata, native to America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Blanket flower, Gaillardia aristata, native to America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

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Orchid cactus, Disocactus speciosus, native to America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Orchid cactus, Disocactus speciosus, native to America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

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Indian pink or woodland pinkroot, Spigelia marilandica, native to North America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Indian pink or woodland pinkroot, Spigelia marilandica, native to North America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

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Franklin tree, Franklinia alatamaha, native to America, extinct in the wild. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Franklin tree, Franklinia alatamaha, native to America, extinct in the wild. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

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Mayflower or trailing arbutus, Epigaea repens, native to America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Mayflower or trailing arbutus, Epigaea repens, native to America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

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Velvet groundsel, Roldana petasitis, native to Mexico and central America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Velvet groundsel, Roldana petasitis, native to Mexico and central America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

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Broad leaved pitcairnia, Pitcairnia bifrons, native to South and Central America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Broad leaved pitcairnia, Pitcairnia bifrons, native to South and Central America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

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Latin American lady orchid, Stenorrhynchos speciosus, native to South America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Latin American lady orchid, Stenorrhynchos speciosus, native to South America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

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Clamshell orchid, Epidendrum cochleatum, native to central and south America and the Caribbean. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Clamshell orchid, Epidendrum cochleatum, native to central and south America and the Caribbean. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

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Memorial to Presidents of the United States, 1871

Memorial to Presidents of the United States, 1871

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A nuu chah nult (formerly nutka) couple from Nootka Island (Canada) and a portrait of a native of North America. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Nuu-chah-nulth man with paddle and woman in tall hat and fringed cape and skirt of Nootka Island, Canada, and physiognomy of a native of Northwest America. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

A nuu chah nult (formerly nutka) couple from Nootka Island (Canada) and a portrait of a native of North America. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Nuu-chah-nulth man with paddle and woman in tall hat and fringed cape and skirt of Nootka Island, Canada, and physiognomy of a native of Northwest America. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

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Jan. 01, 1954 - Santa Cristina Cela - Palermo (Sicily): Charles V. Carollo expelled from the United States of America after 43 years of permanent life there returned to his native country. Charles V. Carollo immigrated to the states when he was only three years old and the recent expulsion was grounded on the base at he was the head of a gangsters band. He, himself believes that his expulsion is based on political ground. Picture Shows Charles V. Carollo in the house of Uncle Signor Sa ~ ~ ~ atore Distefano with his wife Carolina who also comes from Sicily

Jan. 01, 1954 - Santa Cristina Cela - Palermo (Sicily): Charles V. Carollo expelled from the United States of America after 43 years of permanent life there returned to his native country. Charles V. Carollo immigrated to the states when he was only three years old and the recent expulsion was grounded on the base at he was the head of a gangsters band. He, himself believes that his expulsion is based on political ground. Picture Shows Charles V. Carollo in the house of Uncle Signor Sa ~ ~ ~ atore Distefano with his wife Carolina who also comes from Sicily

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"A Native Savage of America." Native American carrying a club, wearing a feathered headdress and short skirt, a large silver plate on his chest, armed with an axe.

"A Native Savage of America." Native American carrying a club, wearing a feathered headdress and short skirt, a large silver plate on his chest, armed with an axe.

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A Political Concert; the Vocal Parts by 1. Miss America, 2. Franklin, 3. F--X, 4. Kepp--Ll, 5. Mrs. Britania, 6. Shelb--N, 7. Dun--I--G, 8. Benidick Rattle Snake, Colley, Thomas, Active 1780-1783, Artist, [London], 1783, Engraving, a Native Woman Representing America and Britannia Standing in the Center Holding a Pole Topped with a Liberty Cap, They Are Joined by Benjamin Franklin, Charles James Fox, Augustus Keppel, Lord Shelburne, John Dunning, and a Rattlesnake As Benedict Arnold Standing Beneath a Picture of a Gallows

A Political Concert; the Vocal Parts by 1. Miss America, 2. Franklin, 3. F--X, 4. Kepp--Ll, 5. Mrs. Britania, 6. Shelb--N, 7. Dun--I--G, 8. Benidick Rattle Snake, Colley, Thomas, Active 1780-1783, Artist, [London], 1783, Engraving, a Native Woman Representing America and Britannia Standing in the Center Holding a Pole Topped with a Liberty Cap, They Are Joined by Benjamin Franklin, Charles James Fox, Augustus Keppel, Lord Shelburne, John Dunning, and a Rattlesnake As Benedict Arnold Standing Beneath a Picture of a Gallows

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Brontotheres - Brontotherium - Artist's view of Brontotheres (Brontotherium) in a North American landscape 35 million years ago. An Oligocene Brontotherium leaves his forest habitat in search of a vegetarian meal. 35 million years ago North America was home to brontotheres, a family of large herbivores that looked somewhat like giant rhinoceroses, but probably were more closely related to horses. Brontotherium ('thunder beast') was one such genus of these prehistoric mammals. Characterized by a massive forked or sling-shot shaped horn, Brontotherium stood about eight feet tall at the shoulder and weighed about two tons. Brontotherium's name comes from Sioux Native Americans who discovered their skeletons following their exposure by severe rain storms. The Sioux believed Brontotherium caused thunderstorms by running across the top of the clouds

Brontotheres - Brontotherium - Artist's view of Brontotheres (Brontotherium) in a North American landscape 35 million years ago. An Oligocene Brontotherium leaves his forest habitat in search of a vegetarian meal. 35 million years ago North America was home to brontotheres, a family of large herbivores that looked somewhat like giant rhinoceroses, but probably were more closely related to horses. Brontotherium ('thunder beast') was one such genus of these prehistoric mammals. Characterized by a massive forked or sling-shot shaped horn, Brontotherium stood about eight feet tall at the shoulder and weighed about two tons. Brontotherium's name comes from Sioux Native Americans who discovered their skeletons following their exposure by severe rain storms. The Sioux believed Brontotherium caused thunderstorms by running across the top of the clouds

Walter B Myers

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Sarcee man Massika in feather headdress and face tattoo or scarification, and Blackfoot chief Mehkskeme-Sukahs with feather headdress, medicine fetish and bearskin cape. Saki Indian and Blackfoot Indian. After Karl Bodmer's portraits for Prince Alexander Philipp Maximilian of Neuwied. Handcoloured steel engraving by Lizars from Charles Hamilton Smith's Natural History of the Human Species.

Sarcee man Massika in feather headdress and face tattoo or scarification, and Blackfoot chief Mehkskeme-Sukahs with feather headdress, medicine fetish and bearskin cape. Saki Indian and Blackfoot Indian. After Karl Bodmer's portraits for Prince Alexander Philipp Maximilian of Neuwied. Handcoloured steel engraving by Lizars from Charles Hamilton Smith's Natural History of the Human Species.

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