Tray with Cream Pitcher, Covered Sugar Bowl, Tea Pot, Hot Water Pot and Salver, executed...

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	Dimension [pixels]	Dimension in 300dpi [mm]	File size [MB]	Online Purchase
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Medium	799 × 1024 px	68 × 87 mm	1.0 MB

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IMAGE number

XCL499958

Image title

Tray with Cream Pitcher, Covered Sugar Bowl, Tea Pot, Hot Water Pot and Salver, executed by Adrien-Aurélien Hebrard (1866-1937), and Table, c.1907 (inlaid wood (mahogany?), cast & gilded bronze mounts, inlays of ivory or bone, metal, & mother-of-pearl (marine mussels or pearl oysters); silver & ivory)

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Artist

Bugatti, Carlo (1855-1940) / Italian

Location

Cleveland Museum of Art, OH, USA

Medium

inlaid wood (mahogany?), cast and gilded bronze mounts, inlays of ivory or bone, metal, and mother-of-pearl (marine mussels or pearl oysters); silver and ivory

Date

1907 AD (C20th AD)

Image description

1980.74.1: Tray (silver & ivory) 13.50x76.90x19.85. 1980.74.2: Cream Pitcher (silver & ivory) 12.7x9.1x6.4. 1980.74.3: Covered Sugar Bowl (silver & ivory) 15.6x12.1x8.6. 1980.74.4: Tea Pot (silver & ivory) 17.65x15.9x9.7. 1980.74.5: Hot Water Pot (silver & ivory) 18.5x15.4x9.9. 1991.45: Table (inlaid wood (mahogany?), cast & gilded bronze mounts, inlays of ivory or bone, metal, & mother-of-pearl (marine mussels or pearl oysters)) 71.5x67.1x41.3. 1991.46: Salver (silver & ivory) 14.6x33. The table is decorated with patterns of marquetry and cast and gilt metal mounts based on highly stylized insect forms-motifs that dominated Bugatti's imagination through much of his career. The table's use of ovoid arches as supporting elements also reflects Bugatti's continued fascination with this motif. Beautifully crafted, the entire ensemble typifies Bugatti's standard of technical excellence. Seldom has so much care and skill been brought to bear in the creation of luxury objects that were actually designed more to amaze and delight the viewer than to be truly useful. Inscription: signed in ligature in white metal inlay on central shelf: Bugatti. This tea set, salver, and table, together with some now missing cups, were all designed by Bugatti as an ensemble. They were probably acquired from his 1907 exhibition at the Galerie Hébrard in Paris by a wealthy South African widow, Anna Blake, who was living there at the time. It is said that Bugatti's work appealed to her because it reminded her of Africa. Some of the animal and insect motifs suggest mythical beasts or the fossils of prehistoric animals. When Mrs. Blake returned to Cape Town, she took these and other pieces designed by Bugatti with her, and they remained in South Africa until about 20 years ago. Inscription: Made by A. A. Hebrard Firm, Paris. Salver Inscription: inscribed inside one of six ovoid compartments: "Bugatti" in ligature. Engraved on back: A.A. HEBRAND/ 8 RUE ROYAL/PARIS FRANCE.

Photo credit

Leonard C. Hanna, Jr. Fund / Bridgeman Images

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Largest available format 3427 × 4393 px 4 MB View all formats

	Dimension [pixels]	Dimension in 300dpi [mm]	File size [MB]	Online Purchase
Large	3427 × 4393 px	290 × 372 mm	4.2 MB
Medium	799 × 1024 px	68 × 87 mm	1.0 MB

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