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Chasse, c.1225-1250 (copper: repoussé, engraved, stippled, and gilded; champlevé enamel; oak core)
Editorial (Books, magazines and newspaper) - extended
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 5000. 7 years. (excludes advertising)
$175.00
Editorial (Books, magazines and newspaper) - standard
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 1500. 7 years. (excludes advertising)
$100.00
Corporate website, social media or presentation/talk
Web display, social media, apps or blogs.
Not for advertising. All languages. 1 year + archival rights
$190.00
Personal website, social media or presentation/talk
Web display, social media, apps, or blogs. Use in academic and non-commercial presentations/talks included. Not for commercial use or advertising. All languages. 5 years
$50.00
Personal products
Personal Prints, Cards, Gifts, Reference. 5 year term. Not for commercial use, not for public display, not for resale. example: For use on birthday cards sent to family members.
copper: repoussé, engraved, stippled, and gilded; champlevé enamel; oak core
Dimensions
h:24.70 w:24.20 d:10.40 cms
Image description
A chasse is a container with a pyramid-shaped roof that once served as a shrine for sacred relics. During the medieval period, chasses like this one were placed on church altars during high feast days to allow the faithful to venerate their sacred contents. The chasse’s design and imagery follow a common formula with Christ’s Crucifixion and Majesty decorating the central fields of its principal face. The back consists of two panels with identical decoration. Each features three busts of angels inscribed in medallions. Of the chasse’s lateral sides, only one is preserved in its original state, decorated with the figure of an imposing angel emerging from a bank of clouds. Here, the dark blue enamel background shows an even greater variety of rosettes and other decorative motifs, all engraved, stippled, and gilded like the ones on the other sides
Photo credit
Gift of S. Livingstone Mather, Constance Mather Bishop, Philip R. Mather, Katherine Hoyt Cross, and Katherine Mather McLean in accordance with the wishes of Samuel Mather / Bridgeman Images