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Royal William Victualling Yard, Plymouth, from Mount Edgecumbe, 1845 (salted paper print, paper)
Editorial (Books, magazines and newspaper) - extended
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 5000. 7 years. (excludes advertising)
$175.00
Editorial (Books, magazines and newspaper) - standard
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 1500. 7 years. (excludes advertising)
$100.00
Corporate website, social media or presentation/talk
Web display, social media, apps or blogs.
Not for advertising. All languages. 1 year + archival rights
$190.00
Personal website, social media or presentation/talk
Web display, social media, apps, or blogs. Use in academic and non-commercial presentations/talks included. Not for commercial use or advertising. All languages. 5 years
$50.00
Personal products
Personal Prints, Cards, Gifts, Reference. 5 year term. Not for commercial use, not for public display, not for resale. example: For use on birthday cards sent to family members.
Creator: William Henry Fox Talbot; Nicolaas Henneman
A salted paper print. A view across the water from the corner of the Garden Battery at Mount Edgecumbe towards the Clarence Building of the Royal William Victualling Yard, Plymouth dockyard. The photograph is framed by a tree in leaf on the left and two mounted cannon in the foreground.
Reverse has been annotated in pencil by Admiral Ballard in 1934: 'Royal William Victualling Yard from Mount Edgecumbe side 1845'.
A letter from Talbot's half-sister Caroline Augusta Edgecumbe, married to the 3rd Earl Mount Edgecumbe, dated 7 September, expressed her delight at him visiting and confirmed that Calvert Jones and Nicolaas Henneman were welcome too. [BL, LA45-124 ].
A letter from Constance Talbot, his wife, dated 12 October 1845 states 'I do long to see the Mount Edgecumbe views – particularly the battery scene', which may relate to P15CAL as well as the image in P14CAL. [BL, LA45-136].
This original print has been made from the calotype negative P15CAL. A similar composition was used by Talbot and Henneman but placed people in the image (see P14CAL).