William H. West's Big Minstrel Jubilee, Carroll Johnson the Artistic Canadian, c.1899 (colour lithograph)

Consists of portraits of Carroll Johnson, one as himself and one in blackface. Blackface is a form of theatrical makeup used by performers to represent a black person. The practice gained popularity during the 19th century and contributed to the proliferation of stereotypes such as the 'happy-go-lucky darky on the plantation' or the 'dandified coon'. In 1848, blackface minstrel shows were an American national art of the time, translating formal art such as opera into popular terms for a general audience. Early in the 20th century, blackface branched off from the minstrel show and became a form in its own right, until it ended in the United States with the U.S. Civil Rights Movement of the 1960s.