This search will return exact matches only. For best results:
Please note that only low-res files should be uploaded. Any images with overlay of text may not produce accurate results. Details of larger images will search for their corresponding detail.
Drag file here
Upload
Processing search results
Waiting for update..
Error:
Search by Colour
Advanced Search
Search Tips
Searching for a particular field
Field
Search term
Example
Asset title
title:
title:pony
Asset title and keywords
~
~pony
Asset description text
description:
description:london
Agency prefix
prfx: or $
prfx:lal or $LAL
Asset id
imageid: or #
imageid:250297 or imageid:[2500 TO 4000] or #1551
Agency name
coll:
coll:history
Medium
medium:
medium:oil
Century
century:
century:20th
Keywords
kw:
kw:dog
Artist name
artist: or ?
artist:monet or ?monet
Artist nationality
nat:
nat:French
Creator ID
creatorid:
creatorid:37
Location
loc: or @
loc:exeter or @exeter
Classification
class:
class:57 or #57. Use # for unclassified assets
Year
year:
year:1850 or year:[1700 TO 1800]
Metadata Block (Hidden)
Contact us for further help
High res file dimension
Search for more high res images or videos
Charles I when Prince of Wales, c.1620 (w/c on vellum laid on playing card)
Charles I (1600-1649)
Peter Oliver was the eldest son of the miniaturist Isaac Oliver, and was trained by his father. On Isaac Oliver's death in 1617, his son took over his role as court limner, producing portrait miniatures of Charles Prince of Wales, and of Frederick V and Elizabeth of Bohemia. Isaac Oliver had explored the idea of producing small-scale limned copies in watercolour on vellum of full-scale paintings; after his death, Peter Oliver completed his father's small-scale copy of The Entombment (Musée d'Angers) for Charles I; in exchange, he was granted £200 from December 1636 for the production of further limned copies of Old Master paintings in the king's collection. Eight of these copies now survive in the Royal Collection. This is the earliest of a series of miniatures of Charles I when Prince of Wales by Peter Oliver, and appears to be somewhat later in date than Isaac Oliver's miniature of c.1616 (420048; Royal Collection), perhaps dating to c. 1620. The similarity in conception of both miniatures is evident, however; both share the same compositional format including the curtain background in red lake floated onto the vellum using the wet-in-wet technique and very similar closely stippled brushwork. Without the benefit of Peter Oliver's signature, his work at this early stage of his career is virtually indistinguishable from that of his father. Signed in gold on the right: 'P.O.' surrounded by four dots.