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Editorial (Books, magazines and newspaper) - extended
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 5000. 7 years. (excludes advertising)
$175.00
Editorial (Books, magazines and newspaper) - standard
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 1500. 7 years. (excludes advertising)
$100.00
Corporate website, social media or presentation/talk
Web display, social media, apps or blogs.
Not for advertising. All languages. 1 year + archival rights
$190.00
Personal website, social media or presentation/talk
Web display, social media, apps, or blogs. Use in academic and non-commercial presentations/talks included. Not for commercial use or advertising. All languages. 5 years
$50.00
Personal products
Personal Prints, Cards, Gifts, Reference. 5 year term. Not for commercial use, not for public display, not for resale. example: For use on birthday cards sent to family members.
Made in Isfahan, Iran. Safavid Dynasty (1501-1722).
Architecture has provided the most visible "canvas" for Islamic art, achieving particularly sophisticated expression during the reign of the Safavid court at Isfahan in Persia. This mosaic panel is one of a group installed in the Museum that are said to have come from a sixteenth-century monastery of the Sufi branch of Islam, but Persian buildings of all sorts, both sacred and secular, were covered inside and out with such elaborately decorated ceramic tiles. The glazed turquoise, cobalt blue, faun, white, and black colors of this panel are clear and brilliant, and the small ceramic pieces form a mosaic pattern whose predominant motifs are round star medallions that alternate with symmetrical floral palmettes in vases. These abstracted designs are meant not so much to emulate nature as to reflect the infinite perfection and ideal order of the universe. The complex pattern is repeated in the series of tile panels that encircle the room, giving a rich sense of depth to the space. Felice Fischer, from Philadelphia Museum of Art: Handbook of the Collections (1995), p. 64.
Photo credit
Philadelphia Museum of Art / Purchased with Museum funds, 1931 / Bridgeman Images