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Sir Thomas More, his father, his household and his descendants, circa 1593

Sir Thomas More, his father, his household and his descendants, circa 1593
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Largest available format 3527 × 2396 px 6 MB
Dimension [pixels] Dimension in 300dpi [mm] File size [MB]
Large 3527 × 2396 px 299 × 203 mm 6.4 MB
Medium 1024 × 696 px 87 × 59 mm 977 KB
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IMAGE number
DGA623431
Image title
Sir Thomas More, his father, his household and his descendants, circa 1593
Auto-translated text View Original Source
Artist
Lockey, Rowland (c.1565-1616) / English
Location
National Portrait Gallery, London, UK
Date
1593 AD (C16th AD)
Image description

Thomas More (1478-1535) with his family. Tudor, England, 16th century. From the painting by Hans Holbein the Younger. The portrait of Anne More, hanging in the background, is presumably a copy of a portrait of circa 1560. The sitters, with their coats of arms displayed above them, are (from left to right): 1 Sir John More 1451?-1530 Judge and Father of Sir Thomas More; 2 Ann Cresacre 1511-77, wife of John More II; 3 Sir Thomas More 1478-1535, Lord Chancellor; 4 John More II 1510-47,only son of Sir Thomas More; 5 Cecily More born 1507, wife of Giles Heron. Youngest daughter of Sir Thomas More; 6 Elizabeth More born 1506, wife of William Dauncey. Second daughter of Sir Thomas More; 7 Margaret More 1505-44, wife of William Roper. Eldest daughter of Sir Thomas More; 8 John More III 1557-before 99. Eldest son of Thomas More II; 9 Thomas More II 1531-1606. Son of John More II; 10 Christopher Cresacre More 1572-1649. Fourth son of Thomas More II; 11 Maria 1534-1607, wife of Thomas More II. Daughter of John Scrope; 12 Anne More 1512-77.

Photo credit
Photo © NPL - DeA Picture Library / Bridgeman Images
Image keywords
16th century / Christianity / religion / house of Tudor / art / london national portrait gallery / fine art painting / medium group of people / england / mid adult women / 16th century / community / mid adult men / indoors / 16th / clothing / more thomas / literature english / politics / literature / group portrait / europe / english culture / family / painting / history / Renaissance / horizontal / united kingdom of great britain and northern ireland / renaissance humanism (fourteenth-fifteenth century) / thomas moro

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