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Editorial (Books, magazines and newspaper) - extended
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 5000. 7 years. (excludes advertising)
$175.00
Editorial (Books, magazines and newspaper) - standard
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 1500. 7 years. (excludes advertising)
$100.00
Corporate website, social media or presentation/talk
Web display, social media, apps or blogs.
Not for advertising. All languages. 1 year + archival rights
$190.00
Personal website, social media or presentation/talk
Web display, social media, apps, or blogs. Use in academic and non-commercial presentations/talks included. Not for commercial use or advertising. All languages. 5 years
$50.00
Personal products
Personal Prints, Cards, Gifts, Reference. 5 year term. Not for commercial use, not for public display, not for resale. example: For use on birthday cards sent to family members.
A leading painter of Die Brücke (The Bridge), a German Expressionist group formed in Dresden in 1905, Kirchner pursued an art of pure, raw emotion, while advocating a revolutionary approach based on complete freedom from social and aesthetic norms. Focusing on the psychology of modern life, he began painting street scenes, cabarets, and circus performers. He enhanced this painting’s deliberately crude appearance by painting on coarse canvas and leaving the surface unvarnished.
Despite serving in the German army during World War I, Kirchner became a principal target of the Nazis’ systematic assault against so-called "degenerate art." During the 1930s, 639 works by Kirchner were removed from German museums and either destroyed or sold to foreign collectors and museums. The year after the Nazis organized the Degenerate Art exhibition in Munich, Kirchner committed suicide.
Photo credit
Contemporary Collection of The Cleveland Museum of Art and Bequest of William R. Valentiner / Bridgeman Images