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'L'homme Aux Mains D'argile' images and/or videos results page 1 of 1

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Images of 'L'homme Aux Mains D'argile' found, 29

 
Image Restrictions
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Marcel Cerdan on Set of Film "L'Homme Aux Mains D'Argile" January 12, 1949 (b/w photo)

XRA1666876

Marcel Cerdan on Set of Film "L'Homme Aux Mains D'Argile" January 12, 1949 (b/w photo)

XRA1666876

 
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  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Marcel Cerdan and Director Leon Mathot on Set of Film L'Homme Aux Mains D'Argile June 12, 1949 (b/w photo)

XRA1650580

Marcel Cerdan and Director Leon Mathot on Set of Film L'Homme Aux Mains D'Argile June 12, 1949 (b/w photo)

XRA1650580

 
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Marcel Cerdan, Director Leon Mathot and Jacques Dacqmine on Set of Film "L'Homme Aux Mains D'Argile" June 12, 1949 (b/w photo)

XRA1679180

Marcel Cerdan, Director Leon Mathot and Jacques Dacqmine on Set of Film "L'Homme Aux Mains D'Argile" June 12, 1949 (b/w photo)

XRA1679180

 
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Director Leon Mathot, Marcel Cerdan and Alfred Adam on Set of Film "L'Homme Aux Mains D'Argile" June 12, 1949 (b/w photo)

XRA1679179

Director Leon Mathot, Marcel Cerdan and Alfred Adam on Set of Film "L'Homme Aux Mains D'Argile" June 12, 1949 (b/w photo)

XRA1679179

 
Pottery, an age old trade, is facing extinction at the Kumar Para (potters community) in Kaalipur village in Banshkhali, Chittagong. There were more than 80 families in the community involved in the trade of clay but now it has come down to an alarming number. Only five families stubbornly cling to the business. The reason behind leaving the trade is many: high cost of materials, the ever losing race against plastic and aluminum wares, low price and many more. The potters of the area say that they are trying hard to save the ancient trade which has lost its glory due to lack of attention and care. Bangladesh. May 15, 2009. (photo)

UIG800804

Pottery, an age old trade, is facing extinction at the Kumar Para (potters community) in Kaalipur village in Banshkhali, Chittagong. There were more than 80 families in the community involved in the trade of clay but now it has come down to an alarming number. Only five families stubbornly cling to the business. The reason behind leaving the trade is many: high cost of materials, the ever losing race against plastic and aluminum wares, low price and many more. The potters of the area say that they are trying hard to save the ancient trade which has lost its glory due to lack of attention and care. Bangladesh. May 15, 2009. (photo)

UIG800804

 
Pottery, an age old trade, is facing extinction at the Kumar Para (potters community) in Kaalipur village in Banshkhali, Chittagong. There were more than 80 families in the community involved in the trade of clay but now it has come down to an alarming number. Only five families stubbornly cling to the business. The reason behind leaving the trade is many: high cost of materials, the ever losing race against plastic and aluminum wares, low price and many more. The potters of the area say that they are trying hard to save the ancient trade which has lost its glory due to lack of attention and care. Bangladesh. May 15, 2009. (photo)

UIG800806

Pottery, an age old trade, is facing extinction at the Kumar Para (potters community) in Kaalipur village in Banshkhali, Chittagong. There were more than 80 families in the community involved in the trade of clay but now it has come down to an alarming number. Only five families stubbornly cling to the business. The reason behind leaving the trade is many: high cost of materials, the ever losing race against plastic and aluminum wares, low price and many more. The potters of the area say that they are trying hard to save the ancient trade which has lost its glory due to lack of attention and care. Bangladesh. May 15, 2009. (photo)

UIG800806

 
Pottery, an age old trade, is facing extinction at the Kumar Para (potters community) in Kaalipur village in Banshkhali, Chittagong. There were more than 80 families in the community involved in the trade of clay but now it has come down to an alarming number. Only five families stubbornly cling to the business. The reason behind leaving the trade is many: high cost of materials, the ever losing race against plastic and aluminum wares, low price and many more. The potters of the area say that they are trying hard to save the ancient trade which has lost its glory due to lack of attention and care. Bangladesh. May 15, 2009. (photo)

UIG800805

Pottery, an age old trade, is facing extinction at the Kumar Para (potters community) in Kaalipur village in Banshkhali, Chittagong. There were more than 80 families in the community involved in the trade of clay but now it has come down to an alarming number. Only five families stubbornly cling to the business. The reason behind leaving the trade is many: high cost of materials, the ever losing race against plastic and aluminum wares, low price and many more. The potters of the area say that they are trying hard to save the ancient trade which has lost its glory due to lack of attention and care. Bangladesh. May 15, 2009. (photo)

UIG800805

 
Pottery, an age old trade, is facing extinction at the Kumar Para (potters community) in Kaalipur village in Banshkhali, Chittagong. There were more than 80 families in the community involved in the trade of clay but now it has come down to an alarming number. Only five families stubbornly cling to the business. The reason behind leaving the trade is many: high cost of materials, the ever losing race against plastic and aluminum wares, low price and many more. The potters of the area say that they are trying hard to save the ancient trade which has lost its glory due to lack of attention and care. Bangladesh. May 15, 2009. (photo)

UIG800807

Pottery, an age old trade, is facing extinction at the Kumar Para (potters community) in Kaalipur village in Banshkhali, Chittagong. There were more than 80 families in the community involved in the trade of clay but now it has come down to an alarming number. Only five families stubbornly cling to the business. The reason behind leaving the trade is many: high cost of materials, the ever losing race against plastic and aluminum wares, low price and many more. The potters of the area say that they are trying hard to save the ancient trade which has lost its glory due to lack of attention and care. Bangladesh. May 15, 2009. (photo)

UIG800807

 
Pottery, an age old trade, is facing extinction at the Kumar Para (potters community) in Kaalipur village in Banshkhali, Chittagong. There were more than 80 families in the community involved in the trade of clay but now it has come down to an alarming number. Only five families stubbornly cling to the business. The reason behind leaving the trade is many: high cost of materials, the ever losing race against plastic and aluminum wares, low price and many more. The potters of the area say that they are trying hard to save the ancient trade which has lost its glory due to lack of attention and care. Bangladesh. May 15, 2009. (photo)

UIG800809

Pottery, an age old trade, is facing extinction at the Kumar Para (potters community) in Kaalipur village in Banshkhali, Chittagong. There were more than 80 families in the community involved in the trade of clay but now it has come down to an alarming number. Only five families stubbornly cling to the business. The reason behind leaving the trade is many: high cost of materials, the ever losing race against plastic and aluminum wares, low price and many more. The potters of the area say that they are trying hard to save the ancient trade which has lost its glory due to lack of attention and care. Bangladesh. May 15, 2009. (photo)

UIG800809

 
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Polyptic, by Unknown Artist of the Lombard School, 15th Century, fresco with clay frame

Sergio Anelli

MEP943734

Polyptic, by Unknown Artist of the Lombard School, 15th Century, fresco with clay frame

Sergio Anelli

MEP943734

 
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Special Instructions
  • Screener copy. Hi-resolution master available upon request. Additional fees may apply.
1960s: Man shapes clay bowl with hands.

AVE8927361

1960s: Man shapes clay bowl with hands.

AVE8927361

 
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  • Content within this clip may require additional clearances (eg: trademark, audio rights and/or property/personality releases) depending on Licensee’s specific use of material.
1980s: Men sculpting car part out of clay

AVE6328059

1980s: Men sculpting car part out of clay

AVE6328059

 
Image Restrictions
  • Content within this clip may require additional clearances (eg: trademark, audio rights and/or property/personality releases) depending on Licensee’s specific use of material.
Special Instructions
  • Screener copy. Hi-resolution master available upon request. Additional fees may apply.
1960s: man in short Greek tunic sits, uses bare feet to turn large potter's wheel, other man brings load of clay, 1st man picks up clay, slams it onto potter's wheel, wets hands, shapes clay into cone

AVE8905489

1960s: man in short Greek tunic sits, uses bare feet to turn large potter's wheel, other man brings load of clay, 1st man picks up clay, slams it onto potter's wheel, wets hands, shapes clay into cone

AVE8905489

 
Image Restrictions
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1980s: Split screen of metal piece and thermal image

AVE6328061

1980s: Split screen of metal piece and thermal image

AVE6328061

 
Anthropomorphic vase depicting a man sitting his hands on his chest wearing a monkey mask with his mouth open (clay)

Mayan

Luisa Ricciarini

LRI4688534

Anthropomorphic vase depicting a man sitting his hands on his chest wearing a monkey mask with his mouth open (clay)

Mayan

Luisa Ricciarini

LRI4688534

 
Anthropomorphic vase, in shape of a man sitting with clasped hands in a circle (clay)

Mayan

Luisa Ricciarini

LRI4688521

Anthropomorphic vase, in shape of a man sitting with clasped hands in a circle (clay)

Mayan

Luisa Ricciarini

LRI4688521

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