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'Blue Cloak' images and/or videos results page 1 of 8

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Images of 'Blue Cloak' found, 686

Iconostasis Icon from a Sanctuary Screen Depicting the Christ Pantokrator (egg tempera on panel)
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Knave Playing a Fife (oil on canvas)
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Madonna in Prayer, c.1640-50 (oil on canvas)
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Stowe 594 f.8, Portrait of Henry, Duke of Lancaster, a Knight Founder of the Order of the Garter, illustration from 'William Bruges' Garter Book', c.1450 (tempera on vellum)
Add 42130 f.84 Border detail of an entertainer in a bishops costume with a performing dog, from the 'Luttrell Psalter', c.1325-35 (vellum)1276-1345),
Louis XIII, King of France, c.1622-39 (oil on canvas)
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Portrait of Catherine II, also known as Catherine the Great (Stettin, 1729-Pushkin, 1796), Empress consort of Peter III of Russia (1728-1762)
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Portrait of William Cavendish, altered with blue sash, 1636 (oil on canvas)
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Christ Expelling the Money Changers from the Temple (oil on canvas)
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Stories of the Passion: The Ascension, 1304 - 1306 (fresco)
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Netherlandish Proverbs, c.1559 (oil on panel)
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Barbara Villiers, Countess of Castlemaine and Duchess of Cleveland, c.1662 (oil on canvas)
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The Annunciation, 1633 (oil on canvas)
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Guidoriccio da Fogliano (Guido Riccio), 1328 (fresco)
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King Louis XII of France (w/c & bodycolour on vellum)
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Assumption of the Virgin Mary, 1532 (canvas)
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Lord Henry Howard, 6th Duke of Norfolk, later Lord Howard of Castle Rising (1628-1684)
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Madonna and Child (oil on canvas)
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Stories of Joseph: Joseph meets His Father, 1549 - 1553
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The Fall of Phaeton (oil on canvas)
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Christ and the Church, 1524 (fresco)
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Madonna and Child (Greek Madonna), 1460-c.1465 (oil on panel)
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Queen Mary (of Modena) (1658-1718)
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Lady Elizabeth Montagu (b.1668/9)
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The Maestà, front, 1308 - 1311 (tempera on panel)
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Lord John Hervey, 2nd Baron Hervey of Ickworth, PC, MP (1696-1743)
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A Saxon chief
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King Charles II (oil on canvas)
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Portrait of King Edward III, a Knight Founder of the Order of the Garter, wearing the blue Garter mantle over plate armour and surcoat with his personal arms.
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The Virgin Mary and Child (oil on poplar)
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Portinari Altarpiece (detail of the heads of Saint Margaret and Saint Mary Magdalene, c.1479 (oil on panel)
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A Lady called Jane Martha Temple, Countess of Portland (enamel)
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Self portrait (enamel)
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William Ponsonby, 2nd Earl of Bessborough, c.1743-50 (oil on canvas)
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King George II (1683–1760)
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John Hobart, 2nd Earl of Buckinghamshire (1723-1793)
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Sir Robert Throckmorton, 4th Bt (1702-1791)
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Coronation of the Virgin, 1404 (tempera and oil on panel)
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Scenes of Passion,
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St Michael the Archangel, 1644
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Portrait of Queen Anne (oil on canvas)
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AltarPiece of Santo Spirito (Enthroned Madonna with St Catherine, St Augustine, St Sebastian, St Anthony the Abbot, Hosts of Angels and St John the Baptist as a Child), 1521 (oil on canvas)
Stories of the Passion: The Last Supper, 1304 - 1306 (fresco)
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The Maestà, front, 1308 - 1311 (tempera on panel)
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Portrait of a man c.1506-13 (oil on poplar)
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Recanati Annunciation (Annunciazione), by Lorenzo Lotto, 1532, 16th Century, oil on canvas, 166 x 114 cm
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An Anonymous Account of King John. John has frequently been characterised as a bad king, even in the Middle Ages. This poem on the kings of England, traditionally attributed to John Lydgate (d. c. 1449/50), describes John's reign in negative terms. The poet also reports the story that John had been poisoned by a monk of Swineshead Abbey, and that nobody lamented his demise. This
image, painted in the fifteenth century, shows John wearing a fine cloak of regal purple, red, white and blue, with pointed blue shoes; he stands above five crowns denoting his surviving children
Diptych - Annunciation, c.1450-55 (tempera on panel)
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The Kiss, 1859 (oil on canvas)
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Tribute Money, 1425-1427 (fresco)
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Healing of the Crippled Man and Raising of Tabitha, 1424-1425 (fresco)
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