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'Antebellum' images and/or videos results page 1 of 2

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Images of 'Antebellum' found, 95

Portrait of Daniel Webster, c.1840-45 (oil on canvas)
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Jim Crow. Sheet music for 'Long Time Ago,' also known as 'Shinbone Alley,' believed to be an African American tune of the antebellum period. Engraving c. 1833
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Sheet music entitled the Crow Quadrilles,” and illustrated with several caricatures of African Americans. Music styled on African America folk culture was genuinely popular, in spite of the stereotyping of its creators. The Quadrille, was a forerunner of the American Square dance. 1837
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Couples dancing in ballroom in formal dress, 1858
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Sheet music cover illustrated with caricatures of six minstrels in two scenes. Whites performed with greater expressiveness when they wore blackface and impersonated African Americans. 1845
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The white cast of an early minstrel show, ETHIOPIAN SERENADERS, performed in blackface, and incorporated music, dances, and instruments of African Americans slaves. Musician at left plays the bones, a percussion instrument. 1847
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Sheet music cover showing an African American dancing in dilapidated room, with kettle in fireplace. Antebellum depictions stereotyped African Americans as singing, dancing, grinning innocents
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New Orleans Ethiopian Serenaders, a popular early minstrel show, founded by James Buckley with a cast of his three sons and others, were whites who performed in blackface and incorporated music and dances of African American plantation slaves. 1847
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Sheet music of the Congo Minstrels, an early white minstrel group, performed African American music in blackface. c. 1840
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Dunleith House historic antebellum mansion, 1856, Natchez, Mississippi, USA
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Stanton Hall, Antebellum Classical Revival mansion in, Natchez, Mississippi, USA
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Table lamp, 19th century, in Monmouth historic antebellum home, 1818, Natchez, Mississippi, USA
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Table clock, 19th century, in Monmouth historic antebellum home, 1818, Natchez, Mississippi, USA
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Silver tea service, 19th century, in Monmouth historic antebellum home, 1818, Natchez, Mississippi, USA
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USA, Louisiana, Garyville, San Francisco Plantation, antebellum style house,
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Table clock, 19th century, in Monmouth historic antebellum home, 1818, Natchez, Mississippi, USA
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Porcelain, 19th century, in Monmouth historic antebellum home, Natchez, Mississippi, USA
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Buckley's New Orleans Serenaders, 1853 (poster)
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Woman In Antebellum Gown (ink, print)
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Ft Moultrie Model Rises Out of Historic Map on Library Desk
Fort Moultrie intro flyover abbrev
Elderly couple at their antebellum mansion Montaigne, 1983 (photo)
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Arlington Antebellum Home & Gardens, Birmingham, Alabama (photo)
Fort Moultrie at Sundown, May 1860
Flight around a 19th-Century American cannon
Flight around a 19th-Century American cannon
Photograph of Mrs. Clare Copeland posing proudly on the front porch of an antebellum…, 1981 (photo)
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Ruins of antebellum mansion "Windsor," built in 1860 and burned in 1890 by a cigarett…, 1976 (photo)
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Monochromatic fog at dawn of an antebellum style mansion in a flooded agricultural fi…, 1983 (photo)
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Monochromatic fog at dawn of an antebellum style mansion in a flooded agricultural fi…, 1983 (photo)
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Animation of 19th-Century American 24-pounder Gun
The Cake Walk was a popular dance in theater and ballrooms in the 1890's. The dance originated in Antebellum slave communities, as a satire of the stiff formality of aristocratic dancing. 1898
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Animation of 19th-Century American 24-pounder Gun
Minstrels, whites in blackface, doing the Cake Walk. Couples high stepped and strutted, competing for the winners cake. The dance originated in Antebellum slave communities, as a satire of the stiff formality of aristocratic dancing. 1896
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Popular print shows a couple engaged in Bible reading at home, by Nathaniel made to appeal to the piety of antebellum America. There is an inscription, 'Reading the scriptures, Search the scriptures for in them ye think ye have eternal life, and they which testify of me. John V. 39.' (lithograph)
The Power of Music', by William Sidney Mount, 1847. From outside a Long Island barn, an African American laborer listens to a fiddle tune enjoyed by white men. The two races occupy different spaces--one inside, one outside, separated by a barn door, symbolizing the divisions in antebellum America (oil on canvas)