Saint Mary Magdalene, c.1625-35 (oil on canvas)

Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 5000. 7 years. (excludes advertising)

$175.00

Editorial (Books, magazines and newspaper) - standard

Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 1500. 7 years. (excludes advertising)

$100.00

Corporate website, social media or presentation/talk

Web display, social media, apps or blogs. Not for advertising. All languages. 1 year + archival rights

$190.00

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Web display, social media, apps, or blogs. Use in academic and non-commercial presentations/talks included. Not for commercial use or advertising. All languages. 5 years

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Personal Prints, Cards, Gifts, Reference. 5 year term. Not for commercial use, not for public display, not for resale. example: For use on birthday cards sent to family members.

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	Dimension [pixels]	Dimension in 300dpi [mm]	File size [MB]	Online Purchase
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Medium	756 × 1024 px	64 × 87 mm	700 KB

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IMAGE number

XWM3597254

Image title

Saint Mary Magdalene, c.1625-35 (oil on canvas)

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Artist

Galli, Giovanni Antonio (Lo Spadarino) (1585-1651/3) / Italian

Location

Walters Art Museum, Baltimore, USA

Medium

oil on canvas

Date

c. 1625 AD - c. 1635 AD (C17th AD)

Dimensions

133x98.7 cms

Image description

In the New Testament, Mary was one of Christ's most loyal followers, later seen as a reformed prostitute. The merging of these identities produced emotionally powerful images of a remorseful yet alluring young woman, meditating on death.

Photo credit

Bridgeman Images

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Largest available format 1476 × 2000 px 0 MB View all formats

	Dimension [pixels]	Dimension in 300dpi [mm]	File size [MB]	Online Purchase
Large	1476 × 2000 px	125 × 169 mm	420 KB
Medium	756 × 1024 px	64 × 87 mm	700 KB

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Saint Mary Magdalene, c.1625-35 (oil on canvas)

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In the New Testament, Mary was one of Christ's most loyal followers, later seen as a reformed prostitute. The merging of these identities produced emotionally powerful images of a remorseful yet alluring young woman, meditating on death.

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