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Artwork from 'Hugh Bulley' found, 137

Candide and his Valet, Cacambo, Drift in a Small Boat Towards the Land of Eldorado
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Candide, While in Venice, Unexpectedly Finds Himself Dining with Six Pretenders during the Carneval, illustration to Chapter 26 of 'Candide' by Voltaire (1694-1778) (collage)
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'Trygaeus returning to Athens with Peace and her attendants', illustration no. 4 to 'Peace' by Aristophanes, 1985 (oil on canvas)
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'The Lighthouse Quay', Act III, Scene II of 'Caesar and Cleopatra' by George Bernard Shaw, 1988 (oil on canvas)
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The Execution of Admiral John Byng by Firing Squad at Portsmouth on 14th March 1757, illustration to Chapter 23 of 'Candide' by Voltaire (1694-1778) (collage)
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Disputes and Audiences, Chapter 7 from 'Zadig ou la Destinée' by Voltaire (1694-1778) (oil on canvas)
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'Anna Fierling, sutler to the Second Finnish Regiment, detained by the recruiting officer and sergeant', illustration no. 1 to 'Mother Courage' by Bertolt Brecht (oil on canvas)
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'Mother Courage at the saxon city of Halle-an-der-Saale', illustration no. 11 to 'Mother Courage' by Bertolt Brecht (oil on canvas)
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Candide and Cacambo Witness Two Monkeys Pursuing Two Naked Women Before Being Themselves Prepared as Nourishment for the Oreillons, illustration to Chapter 16 of 'Candide' by Voltaire (1694-1778) (collage)
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Girl in a Hat, 1979 (oil on linen)
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Illustration for Chapter 11 of 'Candide' by Voltaire (1694-1778) (oil on canvas)
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Illustration for Chapter 22 of 'Candide' by Voltaire (1694-1778) (oil on canvas)
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Illustration for Chapter 24 of 'Candide' by Voltaire (1694-1778) (oil on canvas)
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The Plunge Bath, Plate XII from 'A Boy at Sea' (gouache on paper)
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The Monarch and the March Past, Plate 15 from 'A Boy at Sea' (gouache on paper)
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Alexandria Physical Training, Plate 27 from 'A Boy at Sea' (gouache on paper)
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Burning the Cyphers, Plate 30 from 'A Boy at Sea' (gouache on paper)
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Normandy Beaches, Plate 37 from 'A Boy at Sea' (gouache on paper)
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The Generous Ones, Chapter 5 from 'Zadig ou la Destinée' by Voltaire (1694-1778) (oil on canvas)
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The Fisherman, Chapter 15 from 'Zadig ou la Destinée' by Voltaire (1694-1778) (oil on canvas)
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The Hermit, Chapter 18 from 'Zadig ou la Destinée' by Voltaire (1694-1778) (oil on canvas)
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'Trygaeus and Hermes with War and Tumult', illustration no. 2 to 'Peace' by Aristophanes, 1985 (oil on canvas)
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'The Desert', Act 1, Scene 1 of 'Caesar and Cleopatra' by George Bernard Shaw, 1988 (oil on canvas)
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'The Eastern Harbour', Act V of 'Caesar and Cleopatra' by George Bernard Shaw, 1988 (oil on canvas)
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'The Retreat: The Persian Horde Attempts to Cross the Ice of the Sacred River Strymon', illustration no. 6 to 'Persians' by Aeschylus (oil on canvas)
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Candide Kills the Jesuit, Baron Thunder-ten-Tronckh as Cacambo Looks On, illustration to Chapter 15 of 'Candide' by Voltaire (1694-1778) (collage)
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Waterlily pond, Botanischer Garten, Zurich, 1980s (chalk pastels on paper)
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Dieter Roth, 1990s (collage)
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Men attempt to fire the Acropolis and women arrive with water to quench the fire, 1996 (oil on linen)
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Candide and Cunegonde, frontispiece for 'Candide' by Voltaire (1694-1778) (collage)
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Illustration for Chapter 25 of 'Candide' by Voltaire (1694-1778) (oil on canvas)
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Illustration for Chapter 27 of 'Candide' by Voltaire (1694-1778) (oil on canvas)
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Illustration for Chapter 29 of 'Candide' by Voltaire (1694-1778) (oil on canvas)
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Mountbatten signals, Plate 16 from 'A Boy at Sea' (gouache on paper)
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Landing an alien, Plate 18 from 'A Boy at Sea' (gouache on paper)
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The Admiral's Royal Marine, Plate 23 from 'A Boy at Sea' (collage)
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HMS Cocker and Rescue, Plate 28 from 'A Boy at Sea' (gouache on paper)
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The King Edwin Ablaze, Plate 33 from 'A Boy at Sea' (gouache on paper)
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The Narrator Overboard, Plate 8 from 'A Boy at Sea' (gouache on paper)
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Title page to 'Zadig ou la Destinée' by Voltaire (1694-1778) (oil on canvas)
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The One Eyed, Chapter 1 from 'Zadig ou la Destinée' by Voltaire (1694-1778) (oil on canvas)
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The Nose, Chapter 2 from 'Zadig ou la Destinée' by Voltaire (1694-1778) (oil on canvas)
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Dr. Pangloss in Distress, illustration to Chapter 4 of 'Candide' by Voltaire (1694-1778) (collage)
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Fruit bowl with pear and bananas, 1980s (mixed media)
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Pink Waterlilies, 1980s (chalk pastel on paper)
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'A servant sacrifices a horned sheep to Peace', illustration no. 5 to 'Peace' by Aristophanes, 1985 (oil on canvas)
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'Kattrin with her mother smoking a pipe', illustration no. 7 to 'Mother Courage' by Bertolt Brecht (oil on canvas)
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'Reunion of the Councillors of the Great King Before a Portico at Susa', illustration no. 1 to 'Persians' by Aeschylus (oil on canvas)
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'Trygaeus bribing Hermes with a cup of gold', illustration no. 3 to 'Peace' by Aristophanes, 1985 (oil on canvas)
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'Watched by Hermes, Trygaeus flies on a giant beetle up to Mount Olympus', illustration no. 1 to 'Peace' by Aristophanes, 1985 (oil on canvas)
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'The Throne-room of the Royal Palace at Alexandria', Act II, Scene II of 'Caesar and Cleopatra' by George Bernard Shaw, 1988 (oil on canvas)
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'The Royal Palace in Alexandria', Act 1, Scene 2 from 'Caesar and Cleopatra' by George Bernard Shaw, 1988 (oil on canvas)
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'Yvette going to market with Mother Courage', illustration no. 9 to 'Mother Courage' by Bertolt Brecht (oil on canvas)
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'Mother Courage pulling the wagon with the chaplain and Kattrin' illustration no. 8 to 'Mother Courage' by Bertolt Brecht (oil on canvas)
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The Governor of Buenos Aires, illustration to Chapter 13 of 'Candide' by Voltaire (1694-1778) (collage)
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His Majesty the King of Eldorado Bids Farewell to Candide and Cacambo as they Leave his Kingdom, illustration to Chapter 18 of 'Candide' by Voltaire (1694-1778) (collage)
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'The Lamentation of Xerxes', illustration no. 8 to 'Persians' by Aeschylus (oil on canvas)
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'Entry of the Queen on a Float with her Cortege: Her Dream', illustration no. 2 to 'Persians' by Aeschylus (oil on canvas)
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White waterlilies, 1980s (chalk pastel on paper)
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The Turkish Bath after Ingres, 1960s (collage)
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Dieter Roth, 1990s (collage)
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Dikaiopolis packs up the informer Nicarchus as pottery, illustration no.4 to 'The Acharnians' by Aristophanes, 1996 (oil on linen)
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Bullock ploughing field, 1984 (collage on card)
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Illustration for Chapter 12 of 'Candide' by Voltaire (1694-1778) (oil on canvas)
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Illustration for Chapter 5 of 'Candide' by Voltaire (1694-1778) (oil on canvas)
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The Unknown Cadet, Plate 11 from 'A Boy at Sea' (gouache on paper)
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The Defence of Stonehenge, Plate 20 from 'A Boy at Sea' (gouache on paper)
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The Revellers Return, Plate 26 from 'A Boy at Sea' (gouache on paper)
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HMS Eridge torpodoed, Plate 29 from 'A Boy at Sea' (gouache on paper)
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HMS Orion shells Pantelleria, Plate 34 from 'A Boy at Sea' (gouache on paper)
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Imbibing the compo tea, Plate 29 from 'A Boy at Sea' (gouache on paper)
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The Dog and the Horse, Chapter 3 from 'Zadig ou la Destinée' by Voltaire (1694-1778) (oil on canvas)
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The Envious Ones, Chapter 4 from 'Zadig ou la Destinée' by Voltaire (1694-1778) (oil on canvas)
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The Minister, Chapter 6 from 'Zadig ou la Destinée' by Voltaire (1694-1778) (oil on canvas)
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The Pyre, Chapter 11 from 'Zadig ou la Destinée' by Voltaire (1694-1778) (oil on canvas)
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The Brigand, Chapter 14 from 'Zadig ou la Destinée' by Voltaire (1694-1778) (oil on canvas)
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Illustration for Chapter 28 of 'Candide' by Voltaire (1694-1778) (oil on canvas)
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Illustration for Chapter 9 of 'Candide' by Voltaire (1694-1778) (oil on canvas)
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The Aurora Borealis as Portent, Plate 10 from 'A Boy at Sea' (collage)
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Grenville Heads, Plate 13 from 'A Boy at Sea' (gouache on paper)
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Excitement at the River Dart, Plate 19 from 'A Boy at Sea' (gouache on paper)
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The Adelphi Hotel, Plate 22 from 'A Boy at Sea' (gouache on paper)
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