Japan: Kiyomori sees hundreds of skulls at Fukuhara. Tsukioka Yoshitoshi (1832-1892), 1865

Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 5000. 7 years. (excludes advertising)

$175.00

Editorial (Books, magazines and newspaper) - standard

Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 1500. 7 years. (excludes advertising)

$100.00

Corporate website, social media or presentation/talk

Web display, social media, apps or blogs. Not for advertising. All languages. 1 year + archival rights

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Web display, social media, apps, or blogs. Use in academic and non-commercial presentations/talks included. Not for commercial use or advertising. All languages. 5 years

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Personal Prints, Cards, Gifts, Reference. 5 year term. Not for commercial use, not for public display, not for resale. example: For use on birthday cards sent to family members.

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	Dimension [pixels]	Dimension in 300dpi [mm]	File size [MB]	Online Purchase
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IMAGE number

PFH2562399

Image title

Japan: Kiyomori sees hundreds of skulls at Fukuhara. Tsukioka Yoshitoshi (1832-1892), 1865

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Artist

Yoshitoshi, Tsukioka (1839-92) / Japanese

Medium

Date

C19th AD

Image description

Tsukioka Yoshitoshi (30 April 1839 -9 June 1892), also named Taiso Yoshitoshi was a Japanese artist and Ukiyo-e woodblock print master. He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras -the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing. By the end of his career, Yoshitoshi was in an almost single-handed struggle against time and technology. As he worked on in the old manner, Japan was adopting Western mass reproduction methods like photography and lithography. Nonetheless, in a Japan that was turning away from its own past, he almost singlehandedly managed to push the traditional Japanese woodblock print to a new level, before it effectively died with him.

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Pictures from History/Woodbury & Page / Bridgeman Images

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Largest available format 3500 × 5202 px 8 MB View all formats

	Dimension [pixels]	Dimension in 300dpi [mm]	File size [MB]	Online Purchase
Large	3500 × 5202 px	296 × 440 mm	8.3 MB
Medium	689 × 1024 px	58 × 87 mm	950 KB

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