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Field | Search term | Example |
Asset title | title: | title:pony |
Asset title and keywords | ~ | ~pony |
Asset description text | description: | description:london |
Agency prefix | prfx: or $ | prfx:lal or $LAL |
Asset id | imageid: or # | imageid:250297 or imageid:[2500 TO 4000] or #1551 |
Agency name | coll: | coll:history |
Medium | medium: | medium:oil |
Century | century: | century:20th |
Keywords | kw: | kw:dog |
Artist name | artist: or ? | artist:monet or ?monet |
Artist nationality | nat: | nat:French |
Creator ID | creatorid: | creatorid:37 |
Location | loc: or @ | loc:exeter or @exeter |
Classification | class: | class:57 or #57. Use # for unclassified assets |
Year | year: | year:1850 or year:[1700 TO 1800] |
Dimension [pixels] | Dimension in 300dpi [mm] | File size [MB] | Online Purchase | |
---|---|---|---|---|
Large | 2488 × 3518 px | 211 × 298 mm | 2.7 MB | |
Medium | 724 × 1024 px | 61 × 87 mm | 1.3 MB |
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IMAGE number
PCT4263725
Image title
Illustration of the book “” La pratique en photographie”” by Frederic Dillaye, editions Jules Tallandier 1902. At the beginning of the 20th century, the photographic act was not different from the artist's work. Thus, the “trepied easel” is, according to the author of the book, “” built for painters who want to do photography or for photographers who want to do painting. Both photographic foot and painting easel, it allows, from the same point of view, to take simultaneously a study in colour and a photographic test [still in black and white] of the same subject.”
Photographer
Medium
Engraving
Image description
Photo credit
Bridgeman Images
Dimension [pixels] | Dimension in 300dpi [mm] | File size [MB] | Online Purchase | |
---|---|---|---|---|
Large | 2488 × 3518 px | 211 × 298 mm | 2.7 MB | |
Medium | 724 × 1024 px | 61 × 87 mm | 1.3 MB |
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