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France/Germany: 'Frederick II of Prussia and Voltaire'. Copper engraving by Pierre Charles Baquoy (1759-1829) after...
Editorial (Books, magazines and newspaper) - extended
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 5000. 7 years. (excludes advertising)
$175.00
Editorial (Books, magazines and newspaper) - standard
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 1500. 7 years. (excludes advertising)
$100.00
Corporate website, social media or presentation/talk
Web display, social media, apps or blogs.
Not for advertising. All languages. 1 year + archival rights
$190.00
Personal website, social media or presentation/talk
Web display, social media, apps, or blogs. Use in academic and non-commercial presentations/talks included. Not for commercial use or advertising. All languages. 5 years
$50.00
Personal products
Personal Prints, Cards, Gifts, Reference. 5 year term. Not for commercial use, not for public display, not for resale. example: For use on birthday cards sent to family members.
France/Germany: 'Frederick II of Prussia and Voltaire'. Copper engraving by Pierre Charles Baquoy (1759-1829) after Nicolas-Andre Monsiau (1754-1837), c. 1800
Francois-Marie Arouet (21 November 1694 - 30 May 1778), more commonly known by his nom de plume Voltaire, was a French Enlightenment historian, philosopher and writer. He was famous for his advocacy of freedom of religion, freedom of speech and separation of church and state, often attacking the Catholic Church through his wit and writings.
Voltaire was a prolific and versatile writer, with more than 20,000 letters and over 2,000 books and pamphlets to his name, as well as plays, poems, essays and historical and scientific works. Despite the strict censorship laws of the time, Voltaire often spoke up in favour of civil liberties, and regularly used satire to criticise intolerance, religious dogma and other pillars of French institutions of his day.