The Sorrow of the Nibelungen, 1973 (oil & charcoal on burlap)

The title of the painting is a pun that plays on The Song of the Nibelungen, an epic poem from the 13th century adapted by composer Richard Wagner in the "Ring Cycle." Adolph Hitler was a great admirer of the opera, seeing in it the embodiment of his own vision for the German nation. For Kiefer, The Sorrow of the Nibelungen reflects not only the tragic ending of the saga, but also the perversion of German history in the 20th century. By changing one word in the title of the poem—using the word sorrow ("leid" in German) in place of the word song ("lied")—Kiefer transforms the popular legend into an elegy for the dead. He memorializes the slain protagonists of the poem by writing their names beside pools of blood on the floor. The grand space of the timbered room is based on the attic studio where Kiefer was working at the time. The swirling lines of the wood grain and the dramatic illusion of deep space set the stage for the drama.