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The Churning of the Ocean of Milk, c.1825 (opaque w/c & gold on paper)
Editorial (Books, magazines and newspaper) - extended
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 5000. 7 years. (excludes advertising)
$175.00
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Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 1500. 7 years. (excludes advertising)
$100.00
Corporate website, social media or presentation/talk
Web display, social media, apps or blogs.
Not for advertising. All languages. 1 year + archival rights
$190.00
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Court: Mysore
School: Southern Indian
State/Province: Karnataka
Manuscript/Book Title: Bhagavata Purana
In Hindu myths of creation, both Gods (Devas) and Demons (Asuras) were the firstborn children of the Lord of Generation. Their opposition was simply the dualism in the nature of things—day and night, good and evil, beauty and ugliness. In order to obtain immortality, which was not inherent in their nature, they needed to find a substance, soma, also known as amrita (immortality) in order to escape death. Normally at odds, often in conflicts that brought death to both and required special interventions to bring them back to life, they decided to co-operate for this one time only in an alchemy that would yield the ultimate prize, immortality. Only by pooling their strengths could the gods and the demons churn the great Ocean of Milk from which all substance issued, in hopes that soma would emerge.
They divided into two teams, the Devas on one side of Mount Mandara and the Asuras on the other. Mount Mandara plunged into the depths of the Ocean like a pillar and rested on the unmoving giant turtle Akupara. The Devas took the head of the serpent Vasuki, and the Asuras his tail. They wrapped the serpent around Mount Mandara, and pulled back and forth to create the friction that would stimulate the emergence of substance. From this difficult toil emerged the “Jewels”(Ratna) of the world—the Sun, the Moon (Shiva plucked a crescent from the moon and placed it in his hair); the Apsaras, lovely women of the waters; the White Horse; Krishna (for only a moment before resuming his place in Vishnu’s breast;) the Nymph; the Elephant; the Physician; and the Cow of Desires. Only after exhausting effort did the liquid of immortality finally appear. The allies immediately reverted to their sectarian differences and vied to obtain it. Vishnu created a diversion, turning himself into a beautiful woman. The Demons were distracted and the Gods swallowed the soma, making themselves immortal.
In each of these pictorial renderings of the momentous story from different regions and times, the players can be found. The Gods are on the right—Brahma the Creator with his multiple heads, Vishnu with his blue body, Shiva with his ash-grey body and matted hair; and in two instances also Indra the King of the Gods with his crown. In the Mysore picture, Krishna also appears on the side of the Gods. The Demons vary from foreign looking men to fanciful beasts.
Photo credit
San Diego Museum of Art / Edwin Binney 3rd Collection / Bridgeman Images