&#039;Paul´s&#039; Bilder und Clips Suchergebnisse page 104131 of 1165

SUZ3474304

Blue Petrol Station, 1996 (oil on board)

Blue Petrol Station, 1996 (oil on board)

SUZ3474312

Fear Grin 2, 2003 (acrylic on paper)

Boullogne, Louis the Elder (c.1609-74)

SUZ3474318

Madonna and Child, c.1635-1640 (oil on canvas)

XDM1068415

Robert Mitchum in The Night of the Hunter directed by Charles Laughton, 1955 (b/w photo)

DIL4055411

Sally Jane Bruce, Robert Mitchum And Billy Chapin

DIL4055416

Nose Ornament, Chavín de Huantar c.500-200 BC (gold)

Peruvian School

XCL3502586

Fez el Jedid, 2014 (w/c on paper)

SUZ3474298

Blue Panic, 1997 (oil on board)

SUZ3474311

Dying Mexican, 1997 (oil on board)

SUZ3474315

Pink Rider, 2002 (acrylic on paper)

SUZ3474320

Sunset Cowboy, 1997 (oil on board)

SUZ3474321

Fluorescent Beach 1, 2004 (acrylic on paper)

Fluorescent Beach 1, 2004 (acrylic on paper)

SUZ3470032

Baboons, 2008 (acrylic & pencil on paper)

Baboons, 2008 (acrylic & pencil on paper)

SUZ3470039

Bather 2, 2004 (acrylic on canvas)

SUZ3470040

Boulevard de Safi, 2013 (w/c on paper)

SUZ3470046

But Don't Think I'm Having any Fun, 2015 (oil on canvas)

But Don't Think I'm Having any Fun, 2015 (oil on canvas)

SUZ3470051

Figure IX, 1999 (acrylic on canvas)

SUZ3470059

Ghost of the Forest, 2014 (oil on canvas)

Ghost of the Forest, 2014 (oil on canvas)

SUZ3470063

Glow, 2016 (oil on canvas)

SUZ3470064

Green beach, 2006 (acrylic on canvas)

SUZ3470065

Jabberwocky 2, 2008 (acrylic on canvas)

SUZ3470073

Jabberwocky, 2007 (monoprint)

SUZ3470075

Jemaa-el-Fna, 2014 (oil on canvas)

SUZ3470077

Lidl 3, 2012 (oil on canvas)

SUZ3470079

Long Forgotten Wars, 2016 (oil on canvas)

Long Forgotten Wars, 2016 (oil on canvas)

SUZ3470080

Marigot 5, 2013 (oil on board)

SUZ3470084

Night Zone, 2016 (oil on canvas)

SUZ3470086

Red Dining Room 9, 2008 (acrylic on canvas)

Red Dining Room 9, 2008 (acrylic on canvas)

SUZ3470097

Souk, 2014 (oil on canvas)

SUZ3470109

Tarsier, 2016 (oil on canvas)

SUZ3470119

Time Machine, 2004 (acrylic on paper)

SUZ3470120

Trail, 2010 (acrylic on canvas)

SUZ3470124

Two Figures, 2010 (acrylic on canvas)

SUZ3470127

White Beach 2, 2006 (acrylic on canvas)

SUZ3470129

Wayfarer, 2014 (oil on canvas)

SUZ3470130

Decorated skull, St Stephens Cathedral, Vienna (photo)

TNS3833466

Statue of a torchbearer, Liberation statue, Budapest (photo)

TNS3833479

Statue of a torchbearer, Liberation statue, Budapest (photo)

TNS3833480

Strauss's tomb, Zentralfriedhof, Vienna (photo)

TNS3833484

Strauss's tomb, Zentralfriedhof, Vienna (photo)

TNS3833490

Melanie C (photo)

TNS3803447

Melanie C (photo)

TNS3803451

Robert Mitchum

DIL4055409

All the qualities o'th'isle, 2012 (acrylic on canvas)

All the qualities o'th'isle, 2012 (acrylic on canvas)

SUZ779606

Palmeraie

SUZ992305

Bab Yacout 2

Major General Philip Henry Sheridan led the Union Army of the Potomac Cavalry in the US Civil War. Immediately at the war's end, he led 50,000 soldiers to occupy Texas coastal cities. He then spread inland to the U.S.-Mexico border to monitor the puppet regime of Austrian Archduke Maximilian. Photo by Mathew Brady

SUZ992463

US Civil War, Petersburg Campaign, June 9, 1864 to March 25, 1865. At Petersburg, four crews of Pennsylvania artillerymen stand still for group photo. Each gun had a crew of 8 plus 4 men to handle the horses and equipment

EVB7067011

Brady, Mathew (1823-96)

EVB7067048

Armstead & White Photograph Gallery, in Corinth, Mississippi, during the US Civil War, 1861-65. The studio has a skylight, a framed display of small portraits, and an outdoor exhibit of framed photographs. Corinth was a strategic railroad hub, and was occupied by Union soldiers, who would be the photographers' customers. Photo by George Armstead

Armstead, George (fl. 1860s)

EVB7067338

Who Is That?' is an 1896 photo by Rudolf Eickemeyer, Jr., created in Alabama. The photo is taken from behind, depicting a woman, a child, and a dog looking at a man walking away along a path. This picture was included in Eickermeyer's book, 'Down South', which documents the lives of African American sharecroppers on an Alabama plantation, taken during Eickermeyer's trips to Alabama in the 1890s

Eickemeyer, Rudolf (1862-1932)

EVB7068437

Three stores in Salt Lake City post signs, 'Holiness to the Lord. Zions Cooperative Mercantile Institution.' The 'ZCMI' was a departments store that worked out of separate shops. Mormon church leaders urged the members to cooperate economically by offering lower prices than the Gentile businesses, to promote church unity. Photo by Charles William Carter, 1867-1875

Carter, Charles William (1832–1918)

EVB7069212

Tucson, Arizona, photographed from the Palace Hotel in 1880 by Carleton Watkins. In the post-Civil War era, Tucson was Arizona's largest city, commercial center, railroad hub, and seat of state government until 1889

Siddal, Elizabeth Eleanor (Lizzie) (1834-62)

EVB7069214

The Haunted Wood (gouache on paper)

USB393120

Morne Diablotin 4, oil on canvas (2013)

Pot, Hendrick Gerritsz (1585-1657)

SUZ861096

Portrait of a Woman with a Dog, c.1635 (oil on wood)

XCL500445

Operation using ether for anesthesia, a Boston's Massachusetts General Hospital, 1847. Dr. John Collins Warren, professor of anatomy, stands with his hands upon the patient's thigh, explaining the proceedings to a student audience in the teaching amphitheater. The anesthetist holds a sponge soaked in ether near the head of the patient. This operation followed the Oct. 16, 1846 first demonstration of ether use by Boston dentist William Morton

EVB7065913

Dakota Chief who was engaged in the Dakota War of 1862. Photo was distributed as a stereograph by an unidentified photographer

EVB7066860

A large group of enslaved African Americans on the J. J. Smith's cotton plantation in 1862. They were left on the coastal plantation when their 'master' fled as the Union army occupied the sea islands near Beaufort, South Carolina, in later 1861. When the Emancipation Proclamation went into effect on Jan. 1, 1863, they transitioned from their 'contraband status' to than of Freedmen and Freedwomen

EVB7066895

US Civil War. Sherman's Carolina Campaign, Feb. 1-April 26, 1865. View Columbia, South Carolina the Capitol, after it burned on the night of Feb. 17-18, 1865. The street is abandoned except for two people near the center of the image. Photo by George Barnard

Barnard, George N. (1819-1902)

EVB7066963

Lawrence, Kansas, in 1867, photograph. Its founding by settlers of the abolitionist Massachusetts Emigrant Aid Society in 1854, cast the city's fate in the US Civil War era. By the late 1860s, it became a city on the railroad's main line and the home of the land grant University of Kansas

EVB7069216

Miners at 3 elevators of the Curtis Shaft, Savage Mine, in Virginia City, Nevada, in the winter of 1867-1868. The mine yielded silver and gold ore from the Comstock Lode discovered in 1859. Photograph by Timothy O'Sullivan

O'Sullivan, Timothy (1840-82)

EVB7069188

Bullion Mine, Virginia City, Nevada, by Carleton Watkins, 1875-1877. Behind this neat face, miners tunneled down into the earth for silver and gold ore in the Comstock Lode

EVB7069189

York River near Bigler's Mills, Virginia, 1859 (w/c on paper)

VAH3055192

Bigler's Mills, York River, Virginia, 1859 (w/c on paper)

VAH3055193

Bulbul 2, 2013 (oil on canvas)

Malakoff Diggings, in Nevada County, was the largest hydraulic mining operation in California. At the time of this 1875 photo by Carleton Watkins, the mine was in full operation with 7 giant water cannons working around the clock eroding mountains, to wash gold out of the gravel. The water and gravel effluvia from the operation caused floods in the Sacramental Valley and silted up San Francisco Bay. In an 1883-84 environmental protection lawsuit, Judge Lorenzo Sawyer declared hydraulic mining illegal

SUZ860678

Grand Canyon and Colorado River in 1871. Photograph was taken by James H. Fennemore, one of the photographers on John Wesley Powell's 1871 exploration of the Colorado River

EVB7069091

EVB7069185

Union mass meeting in San Francisco, California, in support of the federal government, Feb. 22, 1861. Crowd gathers at the speaker's platform at Post and Montgomery Streets. Photo by Carleton Watkins

Vicksburg Battlefield monument of Brigadier General Lloyd Tilghman. He was killed at Vicksburg, during the Battle of Champions Hill on May 16, 1863. Created by sculptor Frederick William Sievers in 1936, the monument was donated by the hero's sons, Frederick B. and Sidell Tilghman

EVB7067473

Sievers, Frederick William (1872-1966)

EVB7066884

Flamboyant Jungle 2, 2012 (acrylic on canvas)

Flamboyant Jungle 2, 2012 (acrylic on canvas)

SUZ779596

This Island's Mine, 2012 (acrylic on canvas)

This Island's Mine, 2012 (acrylic on canvas)

SUZ779607

The bigger light, 2012 (contemporary artist)

The bigger light, 2012 (contemporary artist)

SUZ779608

Portsmouth 3, 2013 (oil on canvas)

SUZ861094

Morne Diablotin, 2013 (oil on canvas)

SUZ861095

Marigot 4, 2013 (oil on canvas)

SUZ860677

Negro Shanty, Virginia, 1859 (w/c on paper)

Barnard, George N. (1819-1902)

VAH3055194

US Civil War. Atlanta Campaign, May 7 Sept. 2, 1864. Siege of Atlanta, July 22 through Sept. 2, 1864. REBEL WORKS IN FRONT OF ATLANTA, was photographed by George Barnard, after the Confederate surrender and retreat from the city on Sept. 2, 1864

EVB7067123

Scarred cityscape of Charleston, South Carolina, at the end of the US Civil War. The shells of the circular Congregational church are scaffolded and surrounded by rubble and ruins. The tall steeple behind the church belongs to St. Michaels Church, which was the aiming point for Union artillery during the siege. Photo by George Barnard

Barnard, George N. (1819-1902)

EVB7066961

Rounding Cape Horn, in California, ca. 1866-69, by Alfred A. Hart. The photographer, took this photo from atop a steam engine. Here the tracks of the Central Pacific Railroad, are over 1,200 feet above the bottom of the gorge, and hugged the steeply sloped mountainside

EVB7069170

Cowboy at the B-T Ranch, Missouri, 1887, in a photo by American realist painter, Thomas Eakins. He wears fringed leather trousers, a holstered revolver, and holds a broad brimmed hat. A dog sleeps next to his chair

Eakins, Thomas Cowperthwait (1844-1916)

EVB7069198

MOORE'S SUMMIT, KANSAS, 1867, photographed by Alexander Gardner in his 'Across the Continent on the Union Pacific Railway, Eastern Division' series. The photograph shows a Leavenworth County, farmhouse, barns, and split-rail zig-zag fence. A post-harvest cornfield is in the foreground. More crops are growing beyond the farmstead

Gardner, Alexander (1821-82)

EVB7069203

Six miners work with a placer mining apparatus in California in the 1850s. In the background are several tents, likely the miners' temporary tent community. The daguerreotype photo is by eminent California photographer, Carleton Watkins

EVB7069521

View near Harper's Ferry, Virginia, 1859 (w/c on paper)