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Horses and Grooms Crossing a River, Yuan or early Ming dynasty, 14th century (ink &...
Editorial (Books, magazines and newspaper) - extended
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 5000. 7 years. (excludes advertising)
$175.00
Editorial (Books, magazines and newspaper) - standard
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 1500. 7 years. (excludes advertising)
$100.00
Corporate website, social media or presentation/talk
Web display, social media, apps or blogs.
Not for advertising. All languages. 1 year + archival rights
$190.00
Personal website, social media or presentation/talk
Web display, social media, apps, or blogs. Use in academic and non-commercial presentations/talks included. Not for commercial use or advertising. All languages. 5 years
$50.00
Personal products
Personal Prints, Cards, Gifts, Reference. 5 year term. Not for commercial use, not for public display, not for resale. example: For use on birthday cards sent to family members.
Zhao Mengfu, a descendant of the Song (960-1279) royal family, was a multitalented artist who lived during the early Yuan dynasty (1279-1368) and is regarded as the leading painter and calligrapher of his time. He was skillful in a wide range of subject matter, such as landscape, figure, horse, and bird-and-flower painting. According to his own statement, Zhao learned to draw horses at a relatively young age and believed that his paintings were able to capture the true inner nature of a horse.
In this short handscroll, Zhao depicts three grooms and fifteen horses in various postures crossing a river. By combining the colorful realism of the Tang dynasty (618-907) with the ink line drawing of the Northern Song dynasty (960-1127) literati tradition, Zhao Mengfu established a new direction for his fellow painters during the transitional years of the late thirteenth century. While the painting does not exhibit the superb skill and fluency of the artist's genuine works, it is probably a close copy of an original composition by Zhao and may have been executed by one of his more accomplished followers.
Photo credit
Freer Gallery of Art, Smithsonian Institution / Purchase - Charles Lang Freer Endowment / Bridgeman Images