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Backman, 1966 (acrylic on the reverse of Plexiglas panel with aluminum frame)

Backman, 1966 (acrylic on the reverse of Plexiglas panel with aluminum frame)
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Independent artist in copyright
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Largest available format 7308 × 9841 px 46 MB
Dimension [pixels] Dimension in 300dpi [mm] File size [MB]
Large 7308 × 9841 px 619 × 833 mm 45.9 MB
Medium 761 × 1024 px 64 × 87 mm 1.0 MB
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Image number
MNS3738442
Image title
Backman, 1966 (acrylic on the reverse of Plexiglas panel with aluminum frame)
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Artist
Nutt, Jim (b.1938) / American
Location
Minneapolis Institute of Arts, MN, USA
Medium
acrylic on the reverse of plexiglas panel with aluminum frame
Date
1966 AD (C20th AD)
Dimensions
59.7×43.8 cms
Image description

Jim Nutt first attracted international attention as a member of a six-member group called the Hairy Who. They exhibited together several times between 1966-69 around the country but were based initially Chicago. The group espoused no collective philosophy or formal manifesto but came together out of shared sensibilities. Comics, humor, hygiene ads, vernacular material culture in Chicago (hand-painted signs, pinball machines, product catalogues), and bawdy puns populated their work. Among artists drawing on popular culture in the 1960s, they gravitated to the odd, the disturbing, and the ultra-local. Nutt’s Backman exemplifies these tendencies in their work in 1966; exquisitely made in a painstaking technique (the image was painted on the reverse side of a piece of pristine smooth Plexiglas) but with a comics subject matter that is invented, absurdist, violent and perplexing.

Photo credit
Photo © Minneapolis Institute of Art / The William Hood Dunwoody Fund / Bridgeman Images
Image keywords
comics / absurd / violence / humour / pop art / sixties / hero / superhero / graphic / comic / 60s / hairy who / comic strip / colourful / surreal / violent / crime / bright / narrative / absurdist / muscular / backman / Painting / Mzpainting

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