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Harvard Art Museums

Collection Overview

Harvard University’s Fogg, Busch-Reisinger, and Arthur M. Sackler Museums are three distinct and prestigious collections. The Fogg, which opened to the public in 1895, is Harvard’s oldest art museum, with galleries illustrating the history of Western art from the Middle Ages to the present, with particular strengths in Italian early Renaissance, British Pre-Raphaelite, and nineteenth century French art, including the Impressionists and post-Impressionists. The Busch-Reisinger Museum is the only museum in North America devoted to promoting exploration and critical understanding of the arts of t ...
Harvard University’s Fogg, Busch-Reisinger, and Arthur M. Sackler Museums are three distinct and prestigious collections. The Fogg, which opened to the public in 1895, is Harvard’s oldest art museum, with galleries illustrating the history of Western art from the Middle Ages to the present, with particular strengths in Italian early Renaissance, British Pre-Raphaelite, and nineteenth century French art, including the Impressionists and post-Impressionists. The Busch-Reisinger Museum is the only museum in North America devoted to promoting exploration and critical understanding of the arts of the German-speaking countries of Central and Northern Europe, in all media and from all periods. As well as a leading collection of modern art, the Busch-Reisinger holds late medieval, Renaissance and baroque sculpture, as well as, 16th century painting and 18th century porcelain. The Arthur M. Sackler Museum features thousands of years of Ancient, Asian, Islamic, and later Indian art.

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Collection

The Gare Saint-Lazare: Arrival of a Train, 1877 (oil on canvas)
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Spring Bouquet, 1866 (oil on canvas)
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Self Portrait Dedicated to Paul Gauguin, 1888 (oil on canvas)
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Emmanuel Joseph Sieyes (1748-1836) 1817 (oil on canvas)
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Singer with a Glove, c.1878 (pastel on canvas)
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Odalisque with a Slave, 1839-40 (oil on canvas)
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Raphael and the Fornarina, 1814 (oil on canvas)
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Self Portrait, 1876 (oil on canvas)
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The Hangover (Suzanne Valadon) 1887-89 (oil on canvas)
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Summer Scene, 1869 (oil on canvas)
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The Apparition, c.1876 (oil on canvas)
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Madame de Pompadour at her Toilette, c.1760 (oil on canvas)
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Red Boats, Argenteuil, 1875 (oil on canvas)
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The Rehearsal, c.1873-78 (oil on canvas)
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Saint Catherine of Siena (1347-80), c.1462 (tempera on panel)
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Mother and Child, c.1901 (oil on canvas)
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Pear Tree, 1903 (oil & casein on canvas)
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Nocturne in Grey and Gold: Chelsea Snow, 1876 (oil on canvas)
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Sir Galahad, 1862 (oil on canvas)
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Race Course at Longchamps, 1864 (w/c and gouache over graphite on paper)
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The Peacock Skirt,  1893 (black ink and graphite on paper)
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Piazza San Marco, Venice, c.1730-35 (oil on canvas)
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The Blessed Damozel, 1875-78 (oil on canvas)
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Mystic Crucifixion, c.1500 (tempera & oil on canvas transferred from panel)
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Red Mullet, c.1870 (oil on canvas)
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Ganymede (black chalk on paper)
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Cotton Merchants in New Orleans, 1873 (oil on linen)
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Covered ritual 'Fang-yi' wine vessel with 'Tao-tie' motif, Shang Dynasty (cast bronze with grey patina)
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Cliff at Etretat, c.1868-69 (oil on canvas)
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The Chimera, 1867 (oil on panel)
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The Lady of Pity, 1879 (oil on canvas)
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After the Bath, woman with a Towel, c.1885-90 (pastel on wove paper)
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At the Races: The Start, c.1860-62 (oil on canvas)
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The Lynching of Charles Mitchell, June 1897 (silver gelatin print)
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A Sea Spell, 1875-77 (oil on canvas)
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The Young Man and Death, 1856-65 (oil on canvas)
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Portrait of Victor Choquet (1821-91) c.1875 (oil on canvas)
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Study for 'The Young Spartans Exercising', c.1860-61 (oil on paper mounted on panel) (see 3354)
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The Angel Michael Binding Satan (`He Cast him into the Bottomless Pit, and Shut him up') c.1805 (w/c, ink & graphite on paper)
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The Infant Bacchus Entrusted to the Nymphs of Nysa; The Death of Echo and Narcissus, 1657 (oil on canvas)
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Covered ritual 'Kuang' wine pouring vessel with tiger and owl decoration, Shang Dynasty (cast bronze with green patina)
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The Days of Creation: the First Day, 1870-76 (w/c, gouache, shell gold & platinum paint on linen-covered panel prepared with zinc ground)
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Three Pairs of Shoes, 1886-87 (oil on canvas)
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Lucia carrying Dante in his sleep, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
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The Days of Creation: The Sixth Day, 1870-76 (w/c, gouache, shell gold and plantinum paint on linen covered panel)
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Blue Veil, c.1958-59 (acrylic resin paint on canvas)
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John Adams, 1783 (oil on canvas)
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The Infant Moses, c.1876-78 (oil on canvas)
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Portrait of a Family, 1663 (oil on canvas)
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Neptune Calming the Tempest, 1635 (oil on panel)
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My Lady Greensleeves, 1863 (oil on panel)
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The Breakfast Table, 1884 (oil on canvas)
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The Golden Age, 1862 (oil on paper on panel)
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The Days of Creation: The Fifth Day, 1870-76 (w/c, gouache, shell gold and plantinum paint on linen covered panel)
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The Minotaur, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
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At the Milliner's, 1878 (oil on canvas)
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Proun 12 E, 1923 (oil on canvas)
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Seated Figures, Study for 'A Sunday Afternoon on the Island of La Grande Jatte', 1884-85 (oil on wood panel)
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Woman Baking Bread (black, white & brown chalk on paper)
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St. Sebastian and the Angel, c.1876 (oil on panel)
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The Black and the White, 1956 (oil on canvas)
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Still Life with Commode, c.1887-88 (oil on canvas)
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The Judgement of Paris, c.1480 (tempera on canvas)
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Nomadic Encampment, from a 'Khamsa' (Quintet) by Nizami, Tabriz, East Azerbaijan, Persian, Safavid dynasty, 1539-43 (opaque w/c and gold on paper)
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Portrait of Emmanuel Chabrier (1841-94) 1881 (oil on canvas)
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Mink Pond, 1891 (w/c over graphite on paper)
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The Man of Sorrows, c.1354 (tempera and gold leaf on panel)
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Head of a Young Man, 1523 (chalks, ink and wash on paper)
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The Romans of the Decadence, 1847 (oil on canvas)
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Banner representing the eleven-headed Guanyin standing in a landscape, Northern Sung period, 985 (inkdand colour on silk)
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'The Garden Scene', from a Bustan (the Orchard) by Sa'di, Persian, from Bukhara, Uzbekistan from the Mughal period, c.1531-32 (ink, opaque w/c and gold on paper)
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Self Portrait, 1859 (oil on paper mounted on canvas)
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The Misfortunes of Silenus, c.1500 (oil on panel)
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The Days of Creation: The Second Day, 1870-76 (w/c, gouache, shell gold and platinum paint on linen covered panel)
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Portrait of a Old Man, 1632 (oil on panel)
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Self portrait with easel (oil on canvas)
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The Holy Family with the Infant St. John the Baptist and St. Elizabeth, 1650-51 (oil on canvas)
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The Descent into Limbo, c.1440-44 (tempera on panel)
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Seated Buddha with flaming shoulders, Chinese Six Dynasties Period, Northern Wei dynasty, 3rd-5th century (gilt bronze)
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The White Horse Tavern, 1821-22 (oil on canvas)
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Wall Hanging, 1926 (silk)
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Benjamin Franklin, c.1746 (oil on canvas)
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Sailboat and Fourth of July Fireworks, 1880 (w/c on paper)
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Saint Jerome, 1640 (oil on canvas)
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Pan and Psyche, 1872-74 (oil on canvas)
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The Miracle of the Sacred Fire, Church of the Holy Sepulchre in Jerusalem, 1892-99 (oil & resin on canvas)
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The Storm - Sunset, 1880 (pastel on paper)
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Portrait of Madame Frederic Reiset, 1846 (oil on canvas)
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Two Saluki Hounds, 1427 (ink on paper)
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Profile Portrait of a Lady (black & red chalks with gouache on paper)
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