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Bilder zu 'Charles Ix-style' gefunden, 20

The Empire of Charlemagne (742-814) from 'Le Nouveau Theatre du Monde', 1639 (coloured engraving)

The Empire of Charlemagne (742-814) from 'Le Nouveau Theatre du Monde', 1639 (coloured engraving)

Hondius, Hendrik I (1573-p.1649)

CHT165851

Portrait of Charlemagne (Charles I called Charles the Great 742-814) Anonymous painting of the Flemish school. 16th century London, Antiquaries Society

Portrait of Charlemagne (Charles I called Charles the Great 742-814) Anonymous painting of the Flemish school. 16th century London, Antiquaries Society

Flemish School, (16th century)

Luisa Ricciarini

LRI4634842

Portrait of Elisabeth of Austria (1554-1592), c.1571 (oil on canvas)

Portrait of Elisabeth of Austria (1554-1592), c.1571 (oil on canvas)

Clouet, Francois (c.1510-72)

Kim Young Tae

YOU4418882

Greco-Roman Style, plate IX from 'Polychrome Ornament' published Paris , 1869 (colour litho)

Greco-Roman Style, plate IX from 'Polychrome Ornament' published Paris , 1869 (colour litho)

Racinet, Albert Charles August (1825-93) (after)

STC286204

Charles IX-style autumn hat, Madame Deloffre design, engraving from La Mode Illustree, No 39, September 24, 1882

Charles IX-style autumn hat, Madame Deloffre design, engraving from La Mode Illustree, No 39, September 24, 1882

DGA5188631

Douglas, King of Scotland (833-8), 1684 1686 (Oil on canvas)

Douglas, King of Scotland (833-8), 1684 1686 (Oil on canvas)

De Wet, Jacob Jabosz the Younger (c.1640-97)

ROC7308697

Gregory 'the Great', King of Scotland (886-904), 1684 1686 (Oil on canvas)

Gregory 'the Great', King of Scotland (886-904), 1684 1686 (Oil on canvas)

De Wet, Jacob Jabosz the Younger (c.1640-97)

ROC7308698

Broker, reign of Charles IX, 1579. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

Broker, reign of Charles IX, 1579. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685943

Elizabeth (Elisabeth) of Austria (1554-1592), wife to Charles IX, 1570. Handcoloured steel engraving by Hippolyte Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

Elizabeth (Elisabeth) of Austria (1554-1592), wife to Charles IX, 1570. Handcoloured steel engraving by Hippolyte Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685878

Decorative paintings, Apollo Gallery, Louvre, 17th century. 1869-1873 (chromolithograph)

Decorative paintings, Apollo Gallery, Louvre, 17th century. 1869-1873 (chromolithograph)

FLO7236505

L'Opera Garnier, Place de l'Opera, Paris 9th. Architect Charles Garnier, construction 1862-1875. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload. Photography 2002.

L'Opera Garnier, Place de l'Opera, Paris 9th. Architect Charles Garnier, construction 1862-1875. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload. Photography 2002.

Luc Boegly

LBY4618499

L'Opera Garnier, Place de l'Opera, Paris 9th. Architect Charles Garnier, construction 1862-1875. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload. Photography 2002.

L'Opera Garnier, Place de l'Opera, Paris 9th. Architect Charles Garnier, construction 1862-1875. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload. Photography 2002.

Luc Boegly

LBY4618510

The Opera Garnier, Place de l'Opera in Paris 9th. Architect Charles Garnier (1825-1898), construction 1862-1875. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload.

The Opera Garnier, Place de l'Opera in Paris 9th. Architect Charles Garnier (1825-1898), construction 1862-1875. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload.

TEC4617977

The Opera Garnier, Place de l'Opera in Paris 9th. Architect Charles Garnier (1825-1898), construction 1862-1875. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload.

The Opera Garnier, Place de l'Opera in Paris 9th. Architect Charles Garnier (1825-1898), construction 1862-1875. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload.

TEC4617973

The Opera Garnier, Place de l'Opera in Paris 9th. Architect Charles Garnier (1825-1898), construction 1862-1875. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload.

The Opera Garnier, Place de l'Opera in Paris 9th. Architect Charles Garnier (1825-1898), construction 1862-1875. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload.

TEC4617613

The Opera Garnier, Place de l'Opera in Paris 9th. Architect Charles Garnier (1825-1898), construction 1862-1875. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload.

The Opera Garnier, Place de l'Opera in Paris 9th. Architect Charles Garnier (1825-1898), construction 1862-1875. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload.

TEC4617618

L'Opera Garnier, Place de l'Opera, Paris 9th. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload. It was following the failed attempt to attack the Emperor on 14 January 1858 by Felice Orsini (1819-1858) that it was decided to build a new opera in a space and on. Architect Charles Garnier (1825-1898).

L'Opera Garnier, Place de l'Opera, Paris 9th. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload. It was following the failed attempt to attack the Emperor on 14 January 1858 by Felice Orsini (1819-1858) that it was decided to build a new opera in a space and on. Architect Charles Garnier (1825-1898).

TEC4617638

L'opera Garnier, 8 rue Scribe, Paris 9. Architecture by Charles Garnier, 1862-1875. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload. Following Orsini's failed attempt to attack the Emperor on 14 Jan. 1858, it was decided to build a new opera in a clearance space and on the rotunda above the cisterns.

L'opera Garnier, 8 rue Scribe, Paris 9. Architecture by Charles Garnier, 1862-1875. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload. Following Orsini's failed attempt to attack the Emperor on 14 Jan. 1858, it was decided to build a new opera in a clearance space and on the rotunda above the cisterns.

Luc Boegly

LBY4709734

The Opera Garnier, Place de l'Opera in Paris 9th. Architect Charles Garnier (1825-1898), construction 1862-1875. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload.

The Opera Garnier, Place de l'Opera in Paris 9th. Architect Charles Garnier (1825-1898), construction 1862-1875. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload.

TEC4617584

L'Opera Garnier, Place de l'Opera, Paris 9th. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload. It was following the failed attempt to attack Emperor Napoleon III (1808-1873) on January 14, 1858 by Theobaldus Felice Orsini (1819-1858) that he decided to build a new opera in a space and on. Architect Charles Garnier (1825-1898), construction 1862-1875.

L'Opera Garnier, Place de l'Opera, Paris 9th. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload. It was following the failed attempt to attack Emperor Napoleon III (1808-1873) on January 14, 1858 by Theobaldus Felice Orsini (1819-1858) that he decided to build a new opera in a space and on. Architect Charles Garnier (1825-1898), construction 1862-1875.

TEC4617981

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