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'Carnage' Bilder und Clips Suchergebnisse page 1 of 3

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Bilder zu 'Carnage' gefunden, 243

The Wild Boar Hunt, c.1640 (oil on canvas)
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Early Bourgeois Revolution in Germany, 1987 (oil on panel)
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The Victorious Retreat Back to the Rhine, 1918 (oil on canvas)
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For What? c.1918 (oil on canvas)
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The Decapitation of Franciscan Monks Before the Sultan, c.1331 (fresco) (b/w photo)
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Untitled, from Disasters of War portfolio, by Chapman, 1999 (etching)
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Savage hand-to-hand fighting with bomb and bayonet in Delville Wood, 1914-19 (litho)
Israeli athlet Tuvia Sokovsky (r) who escaped the massacre during the Munich Olympic Games , here during funeral ceremony September 09, 1972 (on September 05, 1972 8 palestinian terrorists killed two members of the Israeli team and kept nine others as hostages. the fight that followed resulted in the death of all the hostages, five terrorists and one policeman)
Carnage, Abstract, bold, pink and black, 2016 (acrylic, ink and gloss on canvas)
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Yasmina Reza about to receive the Welt-Literaturpreis in Berlin, 14 November 2005
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American Gothic, 2004 (digital print)
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The lion and the Gnat, illustration from 'The Fables of Aesop and Others', 1857 (colour litho)
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French Revolution (1789-1799) Champ de Mars Massacre (July 17, 1791)
Early Bourgeois Revolution in Germany, 1983-87 (mixed media on panel)
The Three Hundred Christian Martyrs, 1605-08 (oil on canvas)
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The Battle of Alcazar, 1578 (colour litho)
Civil War Scene, c.1870-71 (oil on canvas)
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Italian workers, survivors of Aigues-Mortes carnage, at Marseille Station, France, engraving by Ernesto Mancastropa after photo by Eduardo Ximenes, from L'Illustrazione Italiana, Year XX, No 35, August 27, 1893
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The Conquerors, 1920 (oil on canvas)
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War of 14-18 (1914-1918) - Propaganda - Photographic stereoscopic glass plate LSU (L.S.U. La Stereoscopie Universelle) edited in 1914: removal of the great spur of Notre-Dame de Lorette (commune of Ablain-Saint-Nazaire - Ablain Saint Nazaire, Pas-de-Calais - Pas de-Calais) - This scene is thought to be taken on by the Commander Dupont is a reconstruction, as evidenced by the light equipment of the French soldiers, inompatible with the fighting at the front. In addition, you can see some soldiers smiling at the photographer, an attitude that cannot be imagined under the fire of the machine gun, while his comrades fall to the ground fatally wounded! Legend suggests that the Germans machine-gun the extras of this reconstruction, actually carrying out a carnage. The photo was published in the largest French and foreign newspapers, placing the scene in various places on the battlefield and sometimes even in Belgium (in the Belgian press!) - Publishers during the First World War regularly published in the newspapers calls to hairy people to transmit their photos. These produced in large quantities were sold by the publishing companies. LSU is one of the most important (if not the most) for the sale of these series of positive glass clicks -
Pillage of the Judengasse (Jews' Lane), 1614
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The Battle of Trafalgar, 21 October 1805, 1822-24 (oil on canvas)
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Massacre, 1933 (charcoal and pastel on paper)
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Struggle, 1966-67 (charcoal, acrylic & oil on canvas)
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Illustrated page from a Shahnamah manuscript (ink & gouache on parchment paper)
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Double page with illustration from a Shahnamah manuscript, late 17th century (ink, gouache & gold on parchment paper)
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Early Bourgeois Revolution in Germany, 1983-87 (mixed media on panel)
Early Bourgeois Revolution in Germany, 1983-87 (mixed media on panel)
Knights Fighting by the Bridge, 1665-68 (oil on canvas)
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The Magic of the Olympics: The War of the Gods (colour litho)
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Carnage of Italian workers in Place Saint-Louis, Aigues-Mortes, August 16, 1893, France, engraving after photo by Eduardo Ximenes, from L'Illustrazione Italiana, Year XX, No 35, August 27, 1893
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Untitled, from Disasters of War portfolio, 1999 (etching)
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